Beijing │ "Witch’s Magic Reading": Sharing Meeting of the Original Novel of "The Evil Witch"

Time:May 26th (Friday) 14:00-15:30

Location:CITIC Bookstore, LG2 Floor, Qiaofufangcaodi Shopping Center, No.9 Dongdaqiao Road, Chaoyang District

Guest:Jacqueline Hughes (actress) and Carly Anderson (actress)

On May 26th, the hostess of the Broadway musical The Evil Witch will have the opportunity to read the original novel to you live. All the wonderful things that can’t be interpreted by musicals will be explained in the original novels.

Beijing │ Zou Shiming’s first official biography "Go All Out" new book conference

Time:May 27th (Saturday) 14:00-16:00.

Location:898 Innovation Space, Floor 3, Building 1, Guanghua School of Management, Peking University, No.5 Summer Palace Road, Haidian District

Guest:Zou Shiming (boxer) and Ran Yingying (host)

Flowers applause, lighting the stage, we saw the glory and sweat of boxing champion Zou Shiming; After a lovely wife and a domineering mother, we saw a careful and modest husband, father and son-in-law; What has he experienced from a small town boy to champion Zou? From sports to entertainment, how long will the champion fight? How does he go from the champion to the boxing promoter? In front of dreams, how should everyone move forward? Persistence and love, what else do you need to make everything beautiful come true? On May 27th, let’s listen to what Zou Shiming himself said!

Beijing │ │ Saman Luxidi’s "The Last Sigh of the Moors" New Book Sharing Meeting

Time:May 27th (Saturday) 15:00-17:00

Location:One-way space on the third floor of Aegean Shopping Center, Yard 12, Qisheng Middle Street, North Third Ring Road, Chaoyang District

Guest:Zhi ‘an (writer and scholar) and Lu Dapeng (translator)

Salman Rushdie is a legendary writer who once had global controversy, and he is a literary master on a par with Marquez, Glass and Calvino. His novel Midnight’s Son won three Booker Awards: Booker Award in 1981, Special Booker Award in 1993 and Best Booker Award in 2008. The Last Sigh of the Moors is a reflective work of Luxidi, which has been hidden for seven years under the influence of the "killing order". It is a novel that runs through Chinese and Western history and culture, full of unrestrained imagination, ups and downs and twists and turns, and is very enjoyable to read. What’s Ruthie like that you don’t know? In Marquez, Milan Kundera, Naipaul, Coetzee and other literary circles, what is the weight of Luxidi? On May 27th, let’s listen to the opinions of Zhi ‘an and Lu Dapeng.

Beijing Mo Bosang: Mystery and Madness.

Time:May 27th (Saturday) 18:00-20:00

Location:Reader Service Department of People’s Congress Press, No.31 Zhongguancun Street, Haidian District

Speaker:Hou Lei (writer and poet)

Orla is Mo Bosang’s late novel, which describes hallucinations and has the characteristics of modern novels. It is regarded by critics as Mo Bosang’s best short story. Harold bloom said: The horror story is a huge and fascinating genre. Mo Bosang is an expert in this field, but he has never shown it as well as he did in orla. I think this is because, to a certain extent, he knew that he had predicted his madness and attempted suicide. On May 27th, let’s talk about Mo Bosang’s mystery and madness.

Beijing │ bulgakov: A Master Beyond Time and Space.

Time:May 27th (Saturday) 19:00-21:00.

Location:One-way space on the third floor of Aegean Shopping Center, Yard 12, Qisheng Middle Street, North Third Ring Road, Chaoyang District

Guest:Zhi ‘an (writer and scholar) and Zhang Ning (professor and doctoral supervisor of Beijing Normal University)

In the spring of 2017, Zhejiang Literature and Art Publishing House launched five works in the first series of the "Double-headed Eagle Classic" series. Most of these works rank among the top 30 Russian novels in the Ideal Library, and bulgakov’s Master and Margaret ranks first. On the occasion of the publication of the first book series of "Two-headed Eagle Classic", we invited Mr. Zhi ‘an, a famous book reviewer, writer and scholar, to have a dialogue with Mr. Zhang Ning, a professor at the College of Arts of Beijing Normal University, a doctoral tutor and a famous literary critic, to take readers back to bulgakov’s great achievements and cherish the memory of the literary masters of the Silver Age.

Beijing │ people live poetically.

Time:May 27th (Saturday) 19:30-21:30

Location:Beijing Tianqiao Art Center, Building 9, Tianqiao South Street, Xicheng District

Guest:Zhao Lixin (actor), Hu Defu (singer), Qin Xiaoyu (poet and literary critic), Zhou Yunpeng (singer) and Ouyang Jianghe (poet).

"Living poetically on this land", the life described by this sentence is not a fantasy of breaking away from and forgetting reality in poetry, nor is it too busy to take care of other embarrassments for survival. Poetry is precious and scarce, and it is forgotten by too many people; Poetic and accessible, no matter whether the material is poor or rich, everyone can pursue the free satisfaction of the mind and spirit, sing happiness and poetic suffering. This time, we have invited five speakers from different fields, namely, poets, poetry critics, folk singers and drama actors. They will each give a 15-20-minute speech, telling the life in poetry and exploring the poetry in life from various dimensions such as ancient poetry, modern poetry and poetry.

Beijing │ Reading in Fragmentation Era and Publishing Conference of "Small Literature and Art Pocket Library"

Time:May 28th (Sunday) 14:00-16:00

Location:Floor 2, Yanjiyou Bookstore, 1-13A Tongying Center, No.1 South Sanlitun Road, Chaoyang District

Guest:Ge Fei (writer, Professor Tsinghua University), Li Er (writer, assistant curator of China Modern Literature Museum), Zhang Tianyi (writer).

On the occasion of the publication of "Small Literature Pocket Library" by Shanghai Literature and Art Publishing House, three writers were invited to talk about reading in the fragmented era.

Beijing │ │ Every city has its own song —— Reading Salon for Listening and Speaking offline activities.

Time:May 28th (Sunday) 14:00-16:00

Location:Music space on the left floor of the north building of People’s Art Building, No.7 Banqiao South Lane, Beixinqiao, Dongcheng District

Guest:Ma Shifang (writer and broadcaster) and Guo Xiaohan (partner and vice president of Letong Music)

The city is the eternal theme of folk songs. Whether it is Tayu Lo’s "Lugang Town", Zhang Weiwei’s "Silver Hotel", Lao Lang’s "Winter in Beijing" and omnipotent youth society’s "Kill the Shijiazhuang Man", it is deeply engraved with the unique flavor of the city. Did the city shape the temperament of folk songs, or did folk songs enrich the spiritual connotation of the city? What are the creative stories behind those folk songs related to the city? From Taiwan Province to the mainland, there have been many songs that sing about cities, and finally leave a mark on cities. On the afternoon of May 28th, let’s talk with Ma Shifang and Guo Xiaohan about the songs of cities that touched you and me.

Beijing │ Dragon Boat Festival Poetry Reading Meeting —— A dialogue reading meeting on the poem "Poet and Cat", a solo exhibition in Beijing.

Time:May 28th (Sunday) 14:00-16:00

Location:No.88, Dongsijiutiao, Dongcheng District, sharing international 5Lmeet· unread Club

Guest:Risuo (painter), Shen Haobo (poet) and Shiva (poet).

On May 5th, the solo exhibition "Poets and Cats" opened in the unread space. Poetry has always been an interesting clue throughout this exhibition because of the identity of Li Suo as a poet and her work in editing and publishing poetry. With the approaching of the Dragon Boat Festival, which is called "Poet’s Day", we specially invited Shen Haobo, a well-known poet and publisher, Siwa, a powerful poet born after 1970s, and Lisuo to present us with a Dragon Boat Festival poetry reading party about painting and poetry in the unread Club on May 28th, and specially prepared classic poems selected by guests, and invited readers to read them with us.

Beijing │ From brain burning to mind wandering, unlocking science fiction movies.

Time:May 28th (Sunday) 14:00-16:00

Location:91-1 Chaoyangmennei Avenue, Chaoyang District Reading Base Yufeng Library

Guest:Electronic Knight (film critic), Gu Da Bai Hua (hardcore fan of science fiction movies), Chen Qiufan (science fiction writer)

As we all know, among the most popular movies in Hollywood, science fiction movies can definitely make a long list. Now, everyone is paying attention to whether China, who has never had a decent sci-fi movie, can make a blockbuster sci-fi blockbuster from 0 to 1. So the question is, how should science fiction movies tell stories? Where is the science fiction theme different from other film types? Is it just the worldview setting and the outer space elements of the Milky Way special? How to implant the most distracting and authentic plot into wild assumptions, fantasies and delusions? The answer to all this is in Electronic Knight’s new book "Guide to Galaxy Science Fiction Movies"! In this activity, we are very honored to invite Electronic Knight, Gu Da Bai Hua and Chen Qiufan, and invite you to meet at Yufeng Library on May 28th to chat about the Milky Way and unlock sci-fi movies.

Beijing │ 60 Years of Literary Writing —— The New Book Release Conference of Selected Works of Liu Xinwu

Time:May 28th (Sunday) 15:00-17:00.

Location:Interline Bookstore, B1 Floor, Financial Street Shopping Center, No.2 Jinchengfang Street, Xicheng District

Speaker:Liu Xinwu (writer and scholar)

Since 2005, Liu Xinwu has been recording and broadcasting 61 episodes of "A Dream of Red Mansions Revealed by Liu Xinwu" and "The True Story of A Dream of Red Mansions after 80s" in CCTV Lecture Room, and published a book with the same name. In 2011, he published "A Dream of Red Mansions Continued in Liu Xinwu", which triggered a new craze for a dream of red mansions in China. In 2016, 26 volumes of Liu Xinwu Wencui were released. In this activity, Liu Xinwu will tell readers the story in the process of selecting his works, as well as the joys and sorrows of 60 years of literary writing, hoping to sympathize with readers again.

Beijing │ Go for a picnic: Dick Ng Comic Book Creation Exchange Signing Meeting

Time:May 29th (Monday) 15:00-17:00

Location:No.1 Xiangheyuan Road, Dongzhimenwai, Dongcheng District Contemporary MOMA North Zone Kubrick Bookstore

Speaker:Wu Ziyuan (illustrator) and Yin Xiaohan (publisher)

"Curiosity Collection Volume 1" has been widely praised by readers since its publication, and it is the first time to visit Beijing Bookstore! Book author Dick Ng and book publisher Yin Xiaohan will have face-to-face communication with readers in Kubrick Bookstore in Beijing, share their experiences in comic book creation and tell stories about what happened before and after publishing comic books.

Shanghai │ Liberation Daily │ Shangguan News invites you to see old photos, listen to a book club and admire old buildings.

Time:May 26th (Friday) 14:00-16:00.

Location:Floor 1, Building A, Jiefang Daily, No.816 Yan ‘an Middle Road, Jing ‘an District

Guest:Li Tiangang (Professor, School of Philosophy, Fudan University) and Gu Zheng (Deputy Director, Visual Culture Research Center, Fudan University, Professor, School of Journalism)

At this readers’ meeting and reading meeting, Li Tiangang, an expert in Shanghai history research and a professor at Fudan University’s School of Philosophy, and Gu Zheng, deputy director of Fudan University’s Visual Culture Research Center and a professor at the School of Journalism, will be invited to explain to readers from the perspectives of history, video, culture and so on. After the reading session, readers will also visit Jiefang Daily under the explanation of the staff.

Shanghai │ The so-called high emotional intelligence means being able to speak-Li Shanglong and Zhaomin’s way of speaking.

Time:May 26th (Friday) 14:00-16:00.

Location:Hubin Road, No.150 Hubin Road, Huangpu District

Guest:Zhao Min (anchor and columnist), Li Shanglong (writer) and Yi Dan (radio host).

Do you always have many ideas but don’t know how to express them? Nervous when it comes to public? Can’t open your mouth to speak or confess when you meet the right person? Or don’t know how to put words into each other’s hearts? The guests of this sharing session will tell you that there are only two ways to improve communication. On the one hand, we need to adjust our mentality slightly and face ourselves and the world in another way. On the other hand, we need to master common communication skills and avoid common minefields. Therefore, we should put aside the common teaching routines and use fresh and interesting speaking skills to correct our three views, stimulate our thinking and transmit our skills, so as to comprehensively improve our way of speaking.

Shanghai │ "Sparus and Sheep" New Book Release and Signing Meeting

Time:May 26th (Friday) 19:00-21:00.

Location:Zhongshuge, 4th Floor, Ruiou Department Store, No.1601 Nanjing West Road, Jing ‘an District

Guest:Mo Bangfu (writer, economic critic) and Yang Benming (Ph.D. jointly trained by Shanghai International Studies University and Kyushu University in Japan)

In this sharing session, Mo Bangfu and Yang Benming will talk about the cultural differences between China and Japan from the perspective of food culture. From "marine culture" to "mainland culture", from "eating" and "writing", we can trace the origin of the two countries’ languages and characters from the dining table, and then return to the cultural diversity of daily life from this origin, thus showing the fun in the cultural collision between China and Japan, which can be described as a treasure trove of Chinese and Japanese culture on the tip of our tongue.

Shanghai │ "Zen and the Art of Motorcycle Maintenance" Reading and Sharing

Time:May 26th (Friday) 19:30-21:00.

Location:Second Floor, Bund Art Museum, No.20 Huqiu Road, Huangpu District

Speaker:Xu Yingjin (Professor, School of Philosophy, Fudan University)

In contemporary times, Zen may not only be a distant thought in the mountains and forests, but also a way for us to break the artificial boundaries between ancient and modern, Chinese and foreign, arts and sciences, so as to gain true knowledge. Zen and the Art of Motorcycle Maintenance is a philosophical novel, which was popular in North America in 1970s and sought after by intellectuals in the English-speaking world. In the novel, the hero rides his son with his friends on a motorcycle, riding all the way from Minnesota to California, and thinking all the way. His own thinking about life and rich philosophical knowledge of the East and the West are forged between literature and ink. From the point of view of China readers, the book’s greatest feature lies in the blending of American mechanical culture and eastern Zen culture. The author tries to convince everyone that the process of disassembling the locomotive and carefully maintaining it is the best meditation, and the thinking mode of splitting arts and sciences is a betrayal of the Zen spirit.

Shanghai │ Pearl diver —— Karen Blixen and Out of Africa

Time:May 26th (Friday) 19:30-21:30.

Location:Jinling Inn, China Financial Information Center, No.18 Dongyuan Road, Pudong New Area

Speaker:Zhang Dinghao (writer)

In the recently popular program The Reader, Zhang Aijia read a passage from Out of Africa, which brought people back to the original and primitive place. The film adapted from the novel Out of Africa is also a classic, and won seven awards including best film, best director and best adapted script at the 58th Oscar in 1986. In this film salon, we will invite Zhang Dinghao, a writer, to review the film and original novel Out of Africa and interpret this classic.

Shanghai │ Those nights talking about the past and the present —— Reading from paper to radio waves

Time:May 27th (Saturday) 13:00-15:00.

Location:Sinan Literature House, No.505 Fuxing Middle Road, Huangpu District

Guest:Ye Sha (radio host), Peng Lun (book producer), Yang Mingyu (marketing manager of Shanghai Translation Publishing House), Yin Muyun (book editor of Guangxi Normal University Press)

It has been 20 years since the famous evening radio program "Accompanied by Dawn Midnight Book Club" was launched in Shanghai in 1997. Many friends who became attached to books in those years still cling to it today, because reading has long been a way of life. On the afternoon of May 27th, at the first Sinan Reading Club, the host Ye Sha and publishers Peng Lun, Yang Mingyu and Yin Muyun will review the nights of talking about the past 20 years, share the joys and hardships before and after the show, and share one good book after another from the content of the program.

Shanghai │ Transfiguration Play Game: The Interleaving of Circular Narrative and Linear Narrative Boundary

Time:May 27th (Saturday) 14:00-15:30

Location:OCT Contemporary Art Center, No.30 Wen ‘an Road, Jing ‘an District

Guest:Chen Ruida (Network Performance Artist), Netmeat (Anthropologist)

This performance discussion is set as a dialogue between two LARP (real-life role-playing) entities in the same body, which discusses the intersection between global capital and cybernetics, with the aim of redefining the power relationship rooted in various narratives with feedback loop mechanism.

Shanghai │ "New aesthetic principles are on the rise" —— Sharing of Shuang Xuetao’s Moses on the Plain

Time:May 27th (Saturday) 15:00-17:00

Location:Sinan Literature House, No.505 Fuxing Middle Road, Huangpu District

Guest:Shuang Xuetao (writer), Luo Gang (professor and doctoral supervisor of Chinese Department of East China Normal University) and Ping Huang (associate professor of Chinese Department of East China Normal University).

After the publication of novels such as Moses on the Plain by Shuang Xuetao, a young writer, it attracted wide attention both inside and outside the literary world. Some critics believe that this novel represents a symbolic mature moment of "post-80s literature". The appearance of Shuangxuetao is not accidental. In recent years, in the movies and novels with the theme of Northeast China, a new aesthetics is quietly emerging-due to the overall fragmentation, life has become a disturbing mystery again. On the afternoon of May 27th, Sinan Reading Club invited Mr. Shuang Xuetao and famous critics, Professor Luo Gang and Professor Ping Huang from the Chinese Department of East China Normal University to discuss the future of youth literature, the relationship between literature and social transformation and many other issues around the novel Moses on the Plain and other works of Shuang Xuetao.

Shanghai │ White translation also has to be translated.

Time:May 27th (Saturday) 19:30-21:00.

Location:The Bund Art Museum, No.20 Huqiu Road, Huangpu District

Speaker:Dong Botao (Doctor of Classical Literature, Publisher, Cultural Scholar, China, Fudan University)

Antoine Boehlmann once said: "The purpose of translation is to open the relationship with others with words and enrich oneself through communication with foreign things, which is directly opposite to the ethnocentric structure of every culture and the narcissistic psychology that every society wants to be a pure whole without impurities." Perhaps translation, as an act of communication, can also be regarded as an art of expressing feelings. Because it is fun and meaningful, it is not translated; Because of difficulties, sometimes translation is also in vain; Because of hobbies and missions, white translation has to be translated. On May 27th, Dr. Dong Botao, Doctor of Classical Literature in China, Fudan University, will share with us his "translation" career.

Shanghai │ "On the Road to Yuyuan Garden" from the beginning

Time:May 28th (Sunday) 14:00-15:30

Location:Floor 8, Changning District Library, No.356 Tianshan Road, Changning District

Speaker:Xu Jinjiang (Deputy Editor of Liberation Daily)

Shanghai is a rich treasure of literati. Just take a road and there will be endless stories. For example, Yuyuan Road, which is less than three kilometers long, has recorded too many celebrities. Qian Xuesen, Huang Yanpei, Kang Youwei, Gu Bingxin, Gu Shengying, rewi alley and other famous people from all walks of life have left their breath of life here. Mr. Xu Jinjiang, deputy editor of Liberation Daily, recorded the story of this road and Shanghai with a book "Yuyuan Road". In this book, you can read the different homesickness of a Shanghai alley boy. This Sunday afternoon, Changning District Library read a series of carnival activities, and invited Mr. Xu Jinjiang to share "The Road to Yuyuan Garden" for readers. Readers are welcome to participate. Let’s start from Yuyuan Road in detail.

Shanghai │ Two "Most" in Opera History

Time:May 28th (Sunday) 14:00-15:30

Location:Shanghai Symphony Orchestra, No.380 Fuxing Middle Road, Xuhui District

Speaker:Yang Yandi (Vice President of Shanghai Conservatory of Music)

This activity will focus on the ideological proposition and artistic features of Mozart’s opera Don Juan. Among all Mozart’s famous operas, the meaning and connotation of Don Juan have always been controversial, and its evaluation and positioning have also experienced dramatic ups and downs in history. Mozart was in the climax of the Enlightenment, but his understanding and expression of stubborn human nature and ill-fated fate was full of strong romantic rebellion and modern skepticism. Correspondingly, the music of Mozart’s opera, while maintaining his always flexible and elegant style, touched on the rare expression categories of violence, terror and "demons and monsters" in the 18th century.

The Contemporary Significance and Value of Shanghai Literature

Time:May 28th (Sunday) 14:00-16:00

Location:Floor 4, Yangpu District Library, No.1 Lane 1490, Pingliang Road, Yangpu District

Speaker:Wang Yonghao (Professor, Chinese Department, Fudan University)

To understand the significance and value of literature, we must first have an accurate understanding of the nature of literature. As a way to represent the free existence of human beings, literature can break through all kinds of restrictions in reality and achieve transcendence of the spiritual world. Of course, there are many ways to transcend, but the most fundamental and meaningful one is qualitative intervention. Only in this way can literature become the guardian of human value and the eternal sustenance of spirit. In this lecture, we are fortunate to invite Professor Wang Yonghao from the Chinese Department of Fudan University to tell us about the contemporary significance and value of literature.

Shanghai │ Fudan Two Generations of Philosophic Princes Talk on the Same Stage —— Wang Defeng and Yu Zhejun with Philosophic Thinking and Harmony of the Times

Time:May 28th (Sunday) 14:00-17:00

Location:American Studies Center of Fudan University, No.680 Guoquan Road, Yangpu District

Guest:Wang Defeng (Dean of Renzhong College of Fudan University, Professor and Doctoral Supervisor of School of Philosophy of Fudan University) and Yu Zhejun (Associate Professor of School of Philosophy of Fudan University)

The word philosophy consists of two words in ancient Greek, Philia is love and Sophia is wisdom. Philosophy is different from the thinking of the wise: the wise should grasp the truth and the only standard answer; Philia in philosophy means a kind of love, which is not that love ends when a person confesses to be together, but that there is love every day and you can make progress every day. Fudan humanistic wisdom class strongly invites Wang Defeng and Yu Zhejun, two generations of philosophy princes, to have a dialogue on the same stage, because they love wisdom and integrate philosophical thinking, bringing philosophical thinking with the times. On May 28th, two generations of philosophy princes, an ideological feast.

Shanghai │ Home and Light: Appreciation of apichatpong weerasethakul’s lectures and short films.

Time:May 28th (Sunday) 14:00-16:00

Location:Small theater on the third floor of Shanghai Museum of Contemporary Art, No.200 Huayuangang Road, Huangpu District

Speaker:Apichatpong weerasethakul (director, artist)

Apichatpong weerasethakul is regarded as one of the most original voices in contemporary movies. His first six feature films, short films and installations have won him an international official reputation and numerous awards, including the Palme d ‘Or at Cannes Film Festival in 2010 ("Uncle Boomi Who Can Call Past Lives"). In "Home and Light", his first public lecture in Shanghai, he will introduce his hometown in the northeast of Thailand and the connection between his works and the scenery of his hometown.

Guangzhou │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │

Time:May 31st (Wednesday) 19:30-21:30

Location:Atrium on the first floor of Tianhui Plaza, No.222 Xingmin Road, Tianhe District

Guest:Huang Zhizhong (founder and course director of Miguo Culture) and Victor Gu Chian Peow (founder and CEO of Miguo Culture)

Of all the factors needed for success, compared with birth, opportunity, energy, intelligence and will, what we can control most is actually the little thing of "speaking". "Ear" is influenced by "eye", and the wisdom of language will be with you for life. They are "one of the most talkative people in the Chinese language circle" and will teach "five-dimensional" speech skills on the spot! How to stand out in the interview? How to refuse to pester and beat? After years of hard work, the salary increase is very small. How can I ask my boss for a raise? In order to "feel the pulse" for you at the scene and cure the disease that you can’t talk.

Chengdu │ Xiao Quan’s beautiful woman under the lens.

Time:May 27th (Saturday) 15:30-17:30

Location:LG223 Yanjiyou Bookstore, IFS International Finance Center, No.1, Section 3, Hongxing Road, Jinjiang District

Guest:Qin Xiaoyu (poet), Han Songluo (writer) and Xiao Chenggang (director).

Artists in China should have pictures that touch themselves and others. The best people in China, like photographer Xiao Quan, witnessed an era and fixed an era. He took the best photos in his life. Xiao Quan supports all beings with his own pictures. On May 27th, I talked with three guests about the beautiful woman in Xiao Quan’s lens.

Chengdu Yi Poetry and Folklore

Time:May 27th (Saturday) 19:00-21:00.

Location:No.8 Zhongshamao Street, Jinjiang District, No.68-70 Chengdu Yuanyang Taikooli

Guest:Mark bender (Professor of Ohio State University) and Akuwu (Poet and Scholar).

On the evening of May 27th, Professor mark bender made a speech and exchanged ideas with Yi poets such as Akuwuwu and Jimu Langge. From the perspective of American scholars, Professor Baender will comment on the characteristics and achievements of Yi poets’ native language poetry creation, and compare Yi poetry with relevant American literary phenomena, so as to interpret the contribution of Akuwuwu and other poets’ works to human cultural heritage. Yi poets, such as Akuwuwu and Jimulungge, will recite their poems in Chinese and Yi language, and tell their creative experience and their understanding and feelings about their national culture. The event also invited Yi folk artists and Yi college students to perform Yi music and Yi epic.

Chengdu │ Read "Breathe" chengdu railway station on the sauce script.

Time:May 29th (Monday) from 14: 00 to 16: 30.

Location:Kaide Tianfu 4F Yanjiyou Bookstore, No.388 Tianren Road, High-tech Zone

Guest:Ah Bing (voice actor), Tut Harmon (voice actor)

This is a play about anxiety of modern people. A female doctor, an independent musician, a discussion about whether to have children. Can they be regarded as "real" good people by watching documentaries, reading serious literature and paying attention to ecology and environment? In order not to make this already riddled earth worse, in order not to bind your future, my child, this unknown individual should not come into this world. When they are overturned by fate, how will they put their vulnerability and anxiety? On May 29th, let’s listen to the answers of two guests.

Chengdu │ "Mother tongue: I love being a mother" Chengdu sharing meeting

Time:May 29th (Monday) 14:30-17:00.

Location:LG223 Yanjiyou Bookstore, No.1 International Finance Center, Section 3, Hongxing Road, Jinjiang District

Guest:Ning Yuan (founder of "Far Sun Room"), Guo Yi (media person), YOLI (teacher, founder of "Half Painting Classroom"), Maruko (photographer), Xu Lilu (university teacher)

Ning Yuan, a "far-away sun room", Guo Yi, a "super mom", YOLI, a "half-painting class", Maruko, and Xu Lilu, a university teacher, all talked about the concept of women’s self-growth after becoming mothers: training themselves is more important than training children. Be an interesting mother before raising an interesting child. We don’t want to be mothers who only revolve around children. We are people who are obsessed with making ourselves and our children better off.

Chengdu │ Jiao Yuan: the cangue of gold-drama sharing of The Golden Lock

Time:May 29th (Monday) 16:00-17:30.

Location:No.8 Zhongshamao Street, Jinjiang District, No.68-70 Chengdu Yuanyang Taikooli

Guest:Jiao Yuan (stage actor), Xie Liheng (reporter) and Jing Li (drama producer and screenwriter).

Jiao Yuan once said: "The greatest enjoyment for me as an actor is’ no drama’. Is to enjoy the feeling of’ difficult to play’, that’s how I abuse myself! It doesn’t hurt, it doesn’t break my heart, and I’m not willing to play. " In the rehearsal process of The Golden Lock, in order to capture the inner distortion of Cao Qiqiao, a middle-aged smoker, Jiao Yuan insisted on wearing "little shoes" and "foot-binding", and his feet were shaking, and finally he had Cao Qiqiao’s body language of shrugging his shoulders and shaking his hands. Cao Qiqiao, a repressed woman who dares to love and hate, finally twisted into a hysterical life process, which was vividly interpreted by Jiao Yuan with her solid performance skills and powerful stage energy. On May 29th, I listened to Jiao Yuan share this drama full of desire and tragedy, as well as her stage story.

Shenzhen │ Silence is so deafening: Appreciation Meeting of Wild Great Wall Zhu Zhu Album

Time:May 26th (Friday) 20:00-21:30.

Location:1-12 Feidi Bookstore, 6th Floor, Building 423, Baguasan Road, Futian District

Guest:Zhu Zhu (poet), Jiang Hao (graphic designer, poet)

Zhu Zhu, born in Yangzhou, Jiangsu Province in September 1969, is the author of poems, such as Sailing to Another Planet, Salt on the Hay, Smoke, Essays, Dizzy, Empty City, etc. Jiang Hao, born in 1971, is now a graphic designer. He has written essays Fragment of Fear, poetry anthology Rhetoric, Comedy (Paper space, 2009), Seeking Fish from the Edge of Wood, Materialism, Summer, etc. His poems have been translated into English, German, French and Korean. On the evening of May 26th, I listened to how two poets talked about their poems with the Wild Great Wall Zhu Zhu Album as the starting point.

Shenzhen │ Schema Representation: Neo-rationalism Metaphysical Painting School

Time:May 26th (Friday) 20:00-22:00.

Location:Room 502, East of Building B3, oct-loft North District, No.4 Wenchang South Street, Nanshan District.

Speaker:Wei Chunyu (Dean, School of Architecture, Hunan University)

In this lecture, Mr. Wei Chunyu will discuss the formation and communication of architectural thinking on the basis of Schema Theory, and lead to the reflection of schema reproduction: by revealing the correlation between Metaphysical Painting and Neo-rationalism advocated by Aldo Rossi, This paper analyzes and compares the psychological schemata hidden behind them, and combines with the regional practice of local studios to interpret and reproduce them through works, so that the architecture is endowed with certain characteristics, so as to shape a relatively quiet and simple place spirit to counter the collage, mobile and fast-food social picture and culture.

Shenzhen │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ ─ │ │ │ 94747

Time:May 27th (Saturday) 15:00-17:00

Location:Lecture Hall, 2nd Floor, Guan Shanyue Art Museum, No.6026 Hongli Road, Futian District

Speaker:Liu Kexiang (writer, TV host)

The Pearl River Delta, where rivers and seas meet and river networks crisscross, has the unique features of a southern water town. Its green color is colorful and complicated, and its species are rich and diverse, which is completely different from other regions. But in the past, eco-tourism and traditional landscape painting were rarely used for analysis. Nowadays, the environmental pollution is serious, and the cultural relics in rural areas disappear rapidly. Through a higher perspective, we may be able to see another level of scenery by comparing the aesthetics of different regions. Liu Kexiang often travels around, goes deep into rural fields and traditional markets, and accumulates many unique observations. In this lecture, he will share stories from several different regions, and provide some life cases based on his own investigation and experience in different places and natural history, as an aesthetic comb.

Shenzhen │ How do we read the classics today —— China in the Classics Shenzhen Salon

Time:May 27th (Saturday) 19:00-21:00.

Location:Shenzhen Central Book City, No.2014 Fuzhongyi Road, Futian District

Guest:Yang Zhao (writer, literary critic), Ma Jiahui (media person, columnist)

This series of books is Yang Zhao’s selected reading and reading guide of China’s traditional cultural classics. Through the word-for-word interpretation of some chapters of ten classics, the classics are restored to specific historical situations and historical contexts, showing hundred schools of thought’s response to realistic changes in the pre-Qin era, and sketching the personal image and personality of the representative figures of the school and their practical activities; At the same time, through restoration, today’s readers can appreciate the unique charm of the thoughts and spirit of the times displayed by the classics, which not only stimulates personal thinking because of the differences between ancient and modern times, but also empathizes with them because of the similarities between ancient and modern times, and draws on the great wisdom of ancient sages in coping with life. On May 27th, teachers Yang Zhao and Ma Jiahui, famous writers, will visit Shenzhen Central Book City to interpret traditional cultural classics and explore China in the classics.

Shenzhen │ "Walker" Sisyphus Bookstore Readers Meeting

Time:May 28th (Sunday) 14:00-16:00

Location:Sisif Bookstore, 4th Floor, Vientiane City, China Resources Center, No.1881 Baoan South Road, Luohu District

Speaker:Six-year-old children (actors)

A six-year-old boy, whose real name is Zhang Jinlai, was born in Shanghai on April 12th, 1959. In 1982, he starred in the 25-episode TV series The Journey to the West, and won the Golden Eagle Award for Best Actor and many other honors. In 1998, with the role of the Monkey King in the sequel to Journey to the West, he won the National Top Ten Outstanding Actors Award in 2000. In this sharing session, six-year-old children will bring their new work "Walker" to share with you how to laugh at the eighty-one difficulties in life.

Hangzhou │ Let’s talk about Children’s Favorite Folk Stories.

Time:May 28th (Sunday) 15:00-17:00.

Location:No.32 Beishan Road, Xihu District

Guest:Mao Xiaoqing (editor-in-chief of Shan Hai Jing magazine), Sun Yinong (mental health education expert), Zheng Xiaolin (literary critic), Wang Libo (deputy editor-in-chief of Zhejiang People’s Publishing House) and Sun Jianjiang (scholar, writer and publisher).

In the Internet age, people talk about all the gossip of Trump, but they don’t know the neighbors they meet every day. For example, our children know that Harry Potter has to go through platform 9 and 3/4 of King’s Cross Station to go to the magic school, but they may not know that there is a road of Tang poetry in Zhejiang where a poet left more than 1,500 poems. What is the deep-rooted good story of China? From ancient times to the present. Children’s Day is coming. Let’s relive the beauty of childhood stories and be children who love to dream!

Xi ‘an │ Peony and Cherry Blossoms: Literary Collision in the Journey Through

Time:May 28th (Sunday) 15:00-17:00.

Location:Northwest corner Huike Pavilion at the intersection of Xinsi Road and Keji Road in Yanta District

Guest:Liu Ning (writer), Yan Lizhong (reporter), Tucki (travel writer)

Xi ‘an, an ancient capital, as a gathering place of China’s long history and culture, has its unique urban style and charm; Japan, which is not far from us, is also deeply influenced by the culture of the Tang Dynasty and has developed its own characteristics in cultural communication. The two cities show their cultural meanings in different contexts with their own scenery. The development of contemporary means of transportation has made Mu Xin’s so-called "slow in the past" out of reach and gradually like a myth. In an era when crossing borders is so simple, how many people can calm down, slow down, and cook a thought with a fine view? Liu Ning, a writer who has traveled to Japan for many years, Tucki, a professional traveler, and Yan Lizhong, a professional reporter who has traveled all over the world, will gather in Xi ‘an to build a dialogue with you from history to the present.

Xi ‘an │ Interesting Talk about the Three Kingdoms, and Look at Sima —— Lecture by Zhang Chaoju, the best-selling author of history

Time:May 28th (Sunday) 15:00-17:00.

Location:Jindi Plaza, No.999 Qujiangchi East Road, Yanta District

Speaker:Zhang Chaoju (writer and translator)

With the theme of "Interesting Talk about the History of the Three Kingdoms", the author Zhang Chaoju vividly explained the stories of three generations of Sima Yi, Si Mazhao and Sima Yan during the Three Kingdoms period, and interpreted the rise and fall of Sima Jia from a different perspective. Everyone in modern society wants to pursue success, but success is not so easy to get. We can find a shortcut to our success from the experience of the ancients, invite readers to participate in the discussion and cause thinking.

Nanjing │ Things and Poetry in the Southern Hemisphere

Time:May 27th (Saturday) 14:00-15:30

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Speaker:Cai Tianxin (Professor and Doctoral Supervisor, School of Mathematics, Zhejiang University)

Cai Tianxin visited Latin America six times and learned Spanish. Six visits to Africa, including East, West, North, South and Central Africa; I have also visited Australia and Java … In this sharing session, we will follow the author’s steps to experience a magical adventure, appreciate the grandeur of the Andes, enjoy the beautiful calm of Lake Titicaca, visit the blue Mediterranean scenery and climb Mount Kilimanjaro, the top of Africa. In addition, we will get to know the singing and dancing peoples in Latin America, explore the mystery of primitive tribes in Africa, understand the literary and artistic world in Latin America, and experience the historical anecdotes and customs of these two southern hemisphere continents. I believe this will be a wonderful journey that we have never experienced before.

Nanjing flies to the other side of the world: Zhao Bo book sharing signing ceremony

Time:May 27th (Saturday) 19:00-20:30.

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Guest:Zhao Bo (writer), Lola (writer), Park Ermin.

From Zhao Bo’s words, the unique style of female writers is warm, romantic and charming, and has a mature, fashionable, emotional and positive intellectual reader community in many big cities. Zhao Bo is like a rare observer. In Europe, in China, on the way from Europe to China or China to Europe, countless women fall into the same story. The difference is that many women choose or are forced to choose silence, while Zhao Bo takes the stage to speak. On May 27th, we went to see how it led readers to travel through more than ten cities such as Paris, Heidelberg, Florence, Milan, Venice, Rome and Amsterdam, and finally returned to Paris for an uncertain love.

Nanjing │ Elaborate on the Gods and Beasts on Ancient Instruments

Time:May 28th (Sunday) 13:30-15:30

Location:No.58 Fengyousi Road, Qinhuai District

Speaker:Crazy students in the Six Dynasties (Ph.D., Asian Department of Nanjing University)

Among our glorious civilization, among the treasures left by our ancestors, there are countless oldest totems, introducing different times, nationalities and identities. What kind of elements are they and what role do they play in ancient sacrifices? What kind of changes and integrations have been made to the patterns? What does it mean that different beasts exist in different positions in the tomb? The first lecture of God Beast, the first veil to uncover this Millennium secret.

Nanjing │ When Bai Xianyong meets Cao Xueqin: A Cross-time Dialogue between Two Literary Sons

Time:May 30th (Tuesday) from 15: 00 to 18: 00, May 31st (Wednesday) from 18: 30 to 20: 00.

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Speaker:Bai Xianyong (writer)

Bai Xianyong came to Nanjing again. He said that A Dream of Red Mansions is his literary bible and an encyclopedia of writing. So we must come to Jinling, a city closely related to the fate of Cao Xueqin’s family, where the story of A Dream of Red Mansions took place. This activity is also the first new book meeting of Bai Xianyong detailing A Dream of Red Mansions and A Dream of Red Mansions (Cheng Yi’s school notes). On this Dragon Boat Festival, come and listen to Mr. Bai Xianyong’s experience in reading A Dream of Red Mansions in recent decades, and also talk about A Dream of Red Mansions in your heart.

Changsha │ Yellow Light "Relatives on the Earth" New Book Sharing Meeting

Time:May 27th (Saturday) 14:30-16:30

Location:Zhijian Bookstore, No.270 Jianxiang North Road, Kaifu District

Guest:Huang Deng (writer), Shen Nian (writer) and Mars (member of Hunan Writers Association)

Endless hometown, endless countryside, Huang Deng, the author of "Relatives on the Earth", returned to his hometown, and discussed an old question with writers Shen Nian and Mars from the same place on their different creative experiences: How many ways to write about hometown? This seems to be an unsolved problem, and the writing of hometown is only related to the differences of writers. But today’s writing about hometown is bound to be related to the writer’s understanding of the times in the face of the background of China in the transition period. On May 27th, three writers will share with you how they write about their hometown.

Changsha │ Hunan Elite and Modern China

Time:May 27th (Saturday) 19:30-21:30

Location:Desiqin City Plaza Desiqin Bookstore, No.18 Xiangfu Middle Road, Yuhua District

Guest:Luo Hong (writer) and Xu Shunfu (professor of Hunan Provincial Party School)

Huxiang culture has a long history and is profound, which is a unique and important vein of Chinese culture. Especially since modern times, a group of heroes of Sanxiang have written brilliant historical chapters with their literary style and martial arts. The Spirit of Hunan People examines the formation conditions of modern Hunan political elite groups from the social background of the late Qing Dynasty, the local social environment and the folk characteristics of Hunan, the unique ideological resources of Hunan, the ideological inheritance of Huxiang studies and Wang Fuzhi, and the educational cradle role of Yuelu Academy, a thousand-year-old institution of Hunan, and analyzes the group characteristics, cultural contributions and cultural influence of three generations of Hunan political heroes. The reasons for the emergence of Huxiang elites in modern times and the lack of reflection on Huxiang culture in the new period will be discussed with friends from all walks of life at this sharing meeting.

Changsha │ Personality and Consensus —— Historical Figures and Historical Changes

Time:May 28th (Sunday) 14:30-16:30

Location:Reading Garden, 4th Floor, Hunan Book City, No.76, Section 2, Furong Middle Road, Furong District

Guest:Ma Yong (researcher, Institute of Modern History, China Academy of Social Sciences) and Meng Ze (professor, Department of Comparative Literature, School of Foreign Languages, Central South University)

Looking back on the long river of history, there are similarities between dynasties, from rise to decline, from awakening to self-help, as if history is repeating itself. In the historical imprint of the rise and fall, there are some people who are informal and willful, and are often pointed out by the world. We call them "crazy people", such as the seven sages of bamboo forest headed by Ji Kang, Li Bai of I am the madman of the Chu country and who sang a mad song disputing Confucius, and Zhang Taiyan, the first man of the Republic of China … They not only have narcissistic, lofty and arrogant personalities, but also seek consensus with the times and others. Behind the shocking remarks and wanton behaviors, they can still emerge from the mud without being stained, and face difficulties. On May 28th, Ma Yong and Meng Ze, famous scholars, visited the reading garden of Hunan Book City to talk about historical figures and historical changes.

Changsha │ Wang Yuewen’s First Life Essays Collection "No Violation" New Book Conference

Time:May 28th (Sunday) 14:30-17:00.

Location:Lecture Hall, L2 Floor, Meixi Academy, No.1099 Fenglinsan Road, Yuelu District

Speaker:Wang Yuewen (writer)

If life is a big river, we were born on this shore and marched to the end, where will the other side of the spirit be? How will it arrive? This is not an autobiography, but it comprehensively recounts his struggle from a small town youth to a literary lover, from a civil servant to a literary master; This is not a philosophical reading, but it condensed his thoughts on the unity of material reality and the other world, flesh and soul; This is not chicken soup for the soul, but it is full of life wisdom that the more lively he is, the more he pursues a clear and peaceful life. In this sharing session, Wang Yuewen will talk about everything, laugh and curse, and also give readers a frank confession of life: people should be true to themselves and strive for no violation.

The Development Trend and Core Value of Memorial Museums in Fuzhou

Time:May 27th (Saturday) 15:00.

Location:Lin Zexu Memorial Hall, No.16 Macau Road, Gulou District

Speaker:Yang Weidong (Director of Fujian Revolutionary History Memorial Hall)

May 18th this year is the 41st International Museum Day. At present, the cause of museums is showing a thriving scene. How should museums better move from cultural temples to people’s lives? This lecture will take you back to past lives of Chinese and foreign museums, understand the development status of Chinese museums, and discuss the characteristics, display methods, core values and development trends of memorial museums.

　　For a long time, the broadcast volume is usually regarded as an important reference to judge whether a work is popular or not. Production companies spend money to brush the amount, and the data comparison between video websites has been repeatedly banned. The falsification of broadcast volume has long been an open secret of the industry. There are even some self-deprecating jokes in the film and television circle, such as "China’s 800 million netizens are not enough" and "the global population is not enough for a drama" … … It can be seen that the phenomenon of water flooding in the network clicks of film and television dramas is very serious. According to statistics, in 2017, there were 12 TV dramas with more than 10 billion hits, of which the highest film and television work even played 45.79 billion times during the year. The "big" data of some film and television works even far exceeds the global population, and the problem of fraudulent clicks is obvious.

　　In June this year, the Propaganda Department of the Central Committee, the Ministry of Culture and Tourism, the State Taxation Administration of The People’s Republic of China, the State Administration of Radio and Television, and the State Film Bureau jointly issued the Notice, which demanded that social benefits should be put in the first place and resolutely opposed to box office, ratings and clicks.

　　In order to bid farewell to the "traffic-only theory", iQiyi recently announced that it would close the "play volume" display at the front desk, and replace it with the content heat of comprehensive user discussion, interaction and multi-dimensional play indicators. Recently, the reporter found through the online shopping platform that many merchants are still providing related brushing services. Almost all video platforms are clearly priced, and a few to dozens of pieces can brush 10,000 hits. When the reporter asked, "Can I still buy the amount of iQiyi?" When this kind of question is asked, the reply is "the amount of wonderful art of sex is too troublesome, so I don’t take orders."

　　In this regard, the reporter interviewed Wang Xiaohui, the chief content officer of iQiyi. In his view, "Excessive attention to the broadcast volume has brought many adverse effects to the industry, and a large number of high-quality works have been buried because of the lack of an objective and fair evaluation system. Many practitioners simply compare the amount of broadcasts, distorting the initial intention of creation, and even breeding illegal or unethical behaviors such as brushing. The bad phenomenon of only playing volume theory has caused harm to the industrial chain, platform, producers and users. In order to change this bad atmosphere, Iqiyi decided to take the lead in closing the display of the front-end broadcast volume, returning its focus to creation and providing users with quality content and service experience. "

　　In the eyes of the industry, a large part of the reason for "brushing" is that the change of the distribution mode of film and television dramas now makes the voice of video websites more and more important, which forces the film side to brush up the amount of play to "compete" with it. However, once a video website is labeled as "data fraud", the goodwill and credibility of this website will be greatly reduced. This is not only related to the development of the website, but also to the prospect of the film and television industry. How to change the impact of the current broadcast volume fraud, Wang Xiaohui believes: "From a global perspective, mainstream video playback platforms and market monitoring institutions have been exploring more dimensional evaluation systems to reflect users’ love for content. At present, we choose to replace the previous broadcast volume with content popularity and provide users with more diversified indicators. "

　　Zhu Chuanxin, a young scholar in the Art Department of China Communication University who has been engaged in online literature and art research for a long time, thinks: "Facing the increasingly outrageous network ‘ Big ’ Data, the online video industry is actively counterfeiting and consciously maintaining an honest, fair and orderly market environment. At the same time, it needs to keep a clear understanding: even if the data is accurate and reliable, the number of clicks is not equal to the artistic quality, and the latter is the sustainable development of video websites ‘ Lifeline ’ 。”

　　Not only the number of clicks, but also the principle of unity of profound thought, exquisite art and excellent production, and the orientation of quality evaluation as the core will surely become the core standard in the scientific evaluation system of network audio-visual program quality. The prosperity and development of literary and artistic creation in the new era needs a clean and honest cyberspace. In the future, with the development and maturity of video websites, establishing an objective and scientific data system, truly understanding the influence and effect of content, and bursting the "bubble" of broadcast volume is the way for the sustainable development of the industry.

　　(Guangming Daily reporter Niu Mengdi)

　　On October 10th, after the trial, Zhao Yang (right) and attorney Zhang Xiaoli took a group photo in front of Luolong District People’s Court.

　　"What do you think of my character?" "Do you think I am mentally ill?" "am I abnormal?"

　　These questions, Zhao Yang (pseudonym) asked his two roommates, Yuan Caihong, the dean of his college, and also asked the reporter of China Youth Daily and Zhongqing Online.

　　Before July 20th, 2015, Zhao Yang, an English education major in the School of Foreign Languages of Luoyang Normal University, never thought that one day he would ask these questions. On July 20th, Chen Guan ‘an, deputy secretary in charge of student affairs, informed Zhao Yang’s mother, Li Yan (a pseudonym), that Zhao Yang had abnormal behavior at school and belonged to a mental disorder patient. The medical staff of Luoyang Mental Health Center forced Zhao Yang to seek medical treatment without Zhao Yang’s willingness. It was not until November 30, 2015 that Zhao Yang was discharged from the hospital.

　　After leaving the hospital, Zhao Yang sued Luoyang Normal University and Luoyang Mental Health Center, demanding compensation for medical expenses, follow-up medical expenses, transportation expenses, mental damages and other losses totaling 170,000 yuan, and publicly apologized.

　　The case went through the judgment of the first instance, and the second instance was sent back for retrial.

　　On October 10, 2018, the People’s Court of Luolong District, Luoyang City retried the case.

　　Admission: Zhao Yang himself is unwilling to be admitted to the hospital.

　　According to the school of Luoyang Normal University, Zhao Yang is not a student who obeys management. According to the defense of the second trial, Luoyang Normal University believes that Zhao Yang repeatedly violated school discipline, clashed with teachers and classmates, did not communicate with others, and did not abide by dormitory management regulations. He repeatedly proposed to suspend school and resume school.

　　Zhao Yang explained that he applied to change the dormitory because the newly-built dormitory in the school had an odor after renovation; Before he was admitted to the hospital for "mental illness", he only applied for suspension and resumption of school once, because he was older and all the other female students in his class were 18 years old, and he felt a little lonely.

　　China Youth Daily Zhongqing Online reporter noticed that on October 29, 2014, shortly after entering school, Zhao Yang applied for suspension from school on the grounds that he did not adapt to school life and wanted to get employment in advance. On January 8, 2015, he hoped that the school would approve the resumption of school and claimed to be eager to study on the grounds of giving up the idea of early employment by the department and parents.

　　In 2014, 27-year-old Zhao Yang took the college entrance examination as a social student. Previously, he had been working outside for many years.

　　Introverted and few friends, Xu Tian (a pseudonym), a classmate of Zhao Yang, commented on Zhao Yang. In his impression, Zhao Yang told his college teacher Chen Guanan that he was dissatisfied with him at school.

　　The turning point was the summer vacation in 2015, that is, during the summer vacation after Zhao Yang’s freshman year, the college teacher Chen Guanan called Zhao Yang’s mother Li Yan, hoping that Li Yan would take Zhao Yang home after staying in school for the summer.

　　In several telephone conversations, Chen Guanan told Li Yan about Zhao Yang’s performance at school, suspecting that Zhao Yang was ill, and hoped that Li Yan could take Zhao Yang for a psychiatric examination, or take Zhao Yang off campus and rent a house with her parents.

　　For the sake of her children’s studies, Li Yan came to Luoyang Mental Health Center and told the doctor Xu Mincong that her son was suspected to be ill by the teacher, hoping to have a check-up. Then the hospital sent a car from Xu Mincong and other medical staff to the school with Li Yan.

　　After arriving at the school gate, Chen Guanan communicated with the doorman, allowing Li Yan and his party to enter the campus and contact Zhao Yang in the dormitory in Zhao Yang. Because Zhao Yang didn’t want to leave the dormitory, Chen Guan ‘an discussed with Xu Min and Li Yan and tied Zhao Yang away. Li Yan disagreed and went into the dormitory to pack things for Zhao Yang.

　　Li Yan recalled that when she was packing for her son, she found that Chen Guanan and Xu Mincong and other four people tied Zhao Yang’s hands behind his back, and Zhao Yang struggled desperately. She was so scared that she burst into tears and repeatedly asked the medical staff and teachers to let Zhao Yang go.

　　Chen Guan ‘an told Li Yan that Zhao Yang could continue to go to school only after a certificate from a mental hospital proved that Zhao was really not ill.

　　In order to get the certificate, Li Yan agreed that Chen Guan ‘an and Xu Min would take Zhao Yang to the hospital for mental disorder diagnosis, and she also went to Luoyang Mental Health Center with the hospital car. Chen Guan ‘an did not participate in the follow-up Zhao Yang’s medical treatment.

　　In the defense of the second instance, Luoyang Mental Health Center believes that it is not improper to assist Li Yan to send Zhao Yang to the hospital for treatment. According to the first paragraph of Article 28 of the Mental Health Law of People’s Republic of China (PRC), close relatives of patients with suspected mental disorders can send them to medical institutions for mental disorder diagnosis.

　　Zhao Yang recalled that when he arrived at the hospital, Xu Mincong and others didn’t send Zhao Yang to the outpatient clinic or check-up, but drove the car directly to the inpatient department. As soon as he got off the bus, he sent Zhao to the iron fence and forced Zhao Yang to seek medical treatment. Although Li Yan didn’t want Zhao Yang to be hospitalized directly, she hoped to have a check-up and a certificate report after admission, and finally agreed to Zhao Yang’s admission.

　　In hindsight, Zhao Yang felt that his mother was a "muddled egg" and trusted the teachers and doctors.

　　On the hospitalization certificate, Zhao Yang’s admission status is "urgent", admission status is "escort" and he is diagnosed as "schizophrenia". In addition to "escort", the other two options are "self-help" and "rescue state transportation". Zhao Yang’s attorney Chang Boyang explained that "escort" means that Zhao Yang’s admission status is mandatory.

　　However, in the judgment of the first instance, the statement of Luoyang Mental Health Center was different from that of Zhao Yang’s mother and son: after the medical staff arrived at the scene (dormitory), Zhao Yang was initially diagnosed as schizophrenia in combination with on-site judgment, emotional judgment, insight judgment and past medical history.

　　Xu Min explained Zhao Yang’s disease diagnosis, condition, degree of harm and treatment suggestions to Li Yan from the deputy chief physician. Li Yan repeatedly persuaded Zhao Yang to accept hospitalization, but after more than an hour of persuasion, it was ineffective. Finally, Li Yan begged the medical staff to help escort Zhao Yang to the hospital for hospitalization.

　　The only intersection between the two sides’ descriptions is that Zhao Yang was hospitalized involuntarily.

　　The Mental Health Law of People’s Republic of China (PRC) stipulates that hospitalization for mental disorders is voluntary.

　　Among them, when the patient has harmed himself or is in danger of harming himself, the medical institution shall, with the consent of his guardian, treat the patient in hospital; However, if the patient or his guardian disagrees with the diagnosis conclusion that the patient needs hospitalization and disagrees with the hospitalization, he may ask for a second diagnosis and appraisal.

　　Lawyer Chang Boyang believes that Zhao Yang has never done or is in danger of doing harm to himself, nor has it done anything that endangers the safety of others. Therefore, even if the guardian agrees, the mental health center should not forcibly treat Zhao Yang without Zhao Yang’s will.

　　The admission record of that day showed that Zhao Yang was conscious and his cognition, intelligence and memory were normal. Lawyer Chang Boyang analyzed that Zhao Yang has the ability of his own judgment, and he can decide whether he should be hospitalized or not. Moreover, regardless of whether Zhao Yang is sick or not, the school should not deprive him of his right to education and require a hospital certificate to continue his education.

　　In the hospital: injured by a nurse.

　　During his 134 days in Luoyang Mental Health Center, Zhao Yang experienced four electric shocks, tied or injected tranquilizers many times, and took three tablets every day, with about 10 tablets each time, mostly quetiapine fumarate and clozapine for the treatment of schizophrenia and sertraline hydrochloride for the treatment of depression.

　　On the day of admission, Li Yan had signed an informed consent form of non-convulsive electric shock.

　　Zhao Yang told the reporter of China Youth Daily and Zhongqing Online that after each electric shock, he was in poor physical condition, especially forgetful, and sometimes he couldn’t remember anything.

　　However, he always insisted that he had never been examined and was sent directly to the inpatient department of the hospital for treatment. The hospital deliberately fabricated his illness.

　　It is worth mentioning that Zhao Yang’s EEG topographic examination two days after admission showed that there was no abnormality in EEG and brain topographic map. However, in another examination on August 19th, the conclusion was that the borderline EEG and brain topographic map were abnormal. That is to say, after admission, Zhao Yang’s condition became more serious in the performance of EEG topographic examination.

　　One year after leaving the hospital, Zhao Yang went to the Fifth Affiliated Hospital of Henan University of Science and Technology for the same examination, and the conclusion was borderline EEG, not psychosis.

　　In the defense, Luoyang Mental Health Center explained that as a routine examination, EEG topographic examination is mostly used to judge whether there are nervous system diseases such as epilepsy and space occupation, and can not be used to judge whether there is schizophrenia. The EEG results made by Zhao Yang after discharge from hospital cannot prove that Zhao Yang was not mentally ill or did not need hospitalization on July 20th, 2015.

　　China Youth Daily Zhongqing Online reporter consulted experts in schizophrenia treatment and learned that the diagnostic criteria of schizophrenia are more "subjective" and more based on doctors’ professional judgment.

　　According to Zhao Yang’s admission record, Zhao Yang’s thinking was rambling, his logic was upside down, his concept was confused, delusion of reference was obviously killed, his auditory hallucinations could lead to him, his behavior was weird, he kept covering his nose and mouth with his hands, his attention was not concentrated, and his self-knowledge was lacking. He was initially diagnosed as schizophrenia.

　　Different from the routine discharge from hospital, Zhao Yang was discharged from hospital because he was beaten and injured by a nurse.

　　On the evening of October 14th, 2015, Zhao Yang had a verbal and physical conflict with Guan Jingdong, a nurse in the mental health center, which caused Zhao Yang to be injured. Zhao Yang recalled that because he advised his patients not to change beds, and the other room was more dangerous, the nurse beat him for no reason, resulting in minor facial injuries.

　　On November 30, 2015, Guan Jingdong, Zhao Yang and Li Yan reached an agreement to pay a lump sum of 7,000 yuan to Zhao Yang’s mother and son. Thereafter, neither party may claim any rights from the public administration department, the competent department and the unit employed by Guan Jingdong.

　　According to the agreement, because Zhao Yang interfered with the normal work of Guan Jingdong, a nurse on duty during his hospitalization, they had verbal and physical conflicts, which led to disputes between doctors and patients. After the incident, Guan Jingdong realized his recklessness, took the initiative to sincerely apologize to Zhao Yang and her mother and made an understanding.

　　On the same day that the agreement was signed, Zhao Yang was released from the hospital and set free. According to the Medical Records, the patient’s clinical mental symptoms have been relieved, and further treatment is still needed. The patient insisted on leaving the hospital, and after coordination with the patient’s family, he was discharged today. The discharge diagnosis was schizophrenia.

　　Leaving the hospital: "10 billion can’t be compensated"

　　After leaving the hospital, Zhao Yang reported to the Commission for Discipline Inspection of Henan universities and other departments that he was forced to be treated and suspended from school because of illness.

　　After that, the relevant personnel from the Foreign Languages Institute of Luoyang Normal University went to Zhao Yang’s home, hoping to help him solve practical difficulties. Zhao Yang didn’t appreciate it: "A billion dollars can’t compensate, I’d rather have my original appearance."

　　During the interview, Zhao Yang’s response was slow. Sometimes, like pressing the pause button, he needed to wait for a while to answer questions. He asked for two or three breaks in the middle. "I haven’t slept well for more than three years." Zhao Yang said that his health was not as good as before after he was discharged from the hospital, his memory declined, and he often suffered from insomnia.

　　In the recording provided by Zhao Yang, the school leaders have repeatedly admitted that Chen Guan ‘an’s practice is inappropriate and bears unshirkable responsibility. They should not let the hospital tie the students away without reporting to the leaders. The school will criticize and educate Chen Guan ‘an, and hope that Zhao Yang can continue his studies, and apologize for Zhao Yang’s absence from the school during his hospitalization.

　　In the transcript of the second trial, Luoyang Normal University responded that Zhao Yang had broken into the leadership office in the school many times. When the main leaders received Zhao Yang, it was entirely out of the teacher’s encouragement to the students, and the recording was secretly recorded without the teacher’s knowledge, which could not prove that the school was at fault in Zhao Yang’s prosecution case.

　　When the reporter of China Youth Daily and Zhongqing Online asked Yuan Caihong, the president of the Foreign Languages Institute, whether the voice in the recording was her own, she said that she could not remember clearly and didn’t know. She also said that the Foreign Languages Institute had no right to respond.

　　During the trial, the school lawyer believed that the school teacher only performed the management duties of the university in a responsible attitude towards Zhao Yang, but Zhao Yang showed no respect for his alma mater and teachers.

　　On November 23, 2017, the Luolong District People’s Court ruled in the first instance that Luoyang Normal University, in the process of student management, timely contacted the parents of students with problems and reflected the situation, which was the embodiment of the school’s responsibility for student management, and Luoyang Normal University did not participate in the plaintiff’s medical treatment, medical treatment and treatment, and there was no infringement.

　　The original trial held that there was no evidence to prove that Zhao had self-injury or wounding in this case, which did not belong to the situation of compulsory treatment, and Zhao Yang’s outpatient examination report concluded that he was not mentally ill. Therefore, Luoyang Mental Health Center took coercive measures against Zhao Yang, which constituted infringement.

　　After the judgment of the first instance, both Zhao Yang and Luoyang Mental Health Center appealed.

　　Luoyang Mental Health Center stated in the defense of the second trial that the doctor who diagnosed and treated Zhao Yang was a psychiatrist (deputy chief physician), and Luoyang Mental Health Center had the right to diagnose and treat Zhao Yang’s mental disorder, and the diagnosis and treatment behavior was legal and correct.

　　In the second trial, Zhao Yang once stated that the focus of the dispute in this case is not whether Zhao Yang has mental illness, but whether the compulsory treatment of Zhao Yang by the health center conforms to the legal provisions and the legal conditions for compulsory treatment. Whether the patient is willing to treat is the patient’s right, and others have no right to impose interference.

　　On May 14th, 2018, Luoyang Intermediate People’s Court ruled that the facts were unclear in the first-instance judgment, and whether Luoyang Mental Health Center and Luoyang Normal College infringed on Zhao Yang should be based on whether Luoyang Mental Health Center and its medical staff were at fault in the diagnosis and treatment activities.

　　Moreover, in this case, whether the Luoyang Mental Health Center and its medical staff are at fault in the diagnosis and treatment activities is a professional issue, which should be identified with reference to judicial expertise. Therefore, the original first-instance judgment was revoked and sent back for retrial.

　　In this regard, Zhang Xiaoli, another attorney of Zhao Yang, said that according to Article 58 of the Tort Liability Law, the hospital violated the provisions of Article 30 of the Mental Health Law, and forced treatment without Zhao Yang’s will, which can directly infer that the hospital is at fault and does not require judicial expertise.

　　It has been almost three years since I left the mental hospital on November 30, 2015. For three years, Zhao Yang has been arguing, but he is also worried that the media exposure will affect his life and that of his mother. I have been living at the bottom, and I know that the bottom has a misunderstanding of mental illness, and they can talk about us all their lives at will.

　　On October 10th, the Luolong District People’s Court held a public hearing to hear the case. Due to time, the court cross-examination procedure has not been completed, and the time for the next court session has not been determined.

　　On October 16, the hospital publicly responded that "the case is currently being tried according to law, and our hospital will make a fair judgment according to law."

　　China Youth Daily Zhongqing Online Trainee Reporter Wei Yiwen and photo source: China Youth Daily

The just-concluded Winter Olympics reminds people of the dolls, Ice Dun Dun and Snow Rongrong. Their designs contain the Olympic spirit and China cultural symbols. The generation and development of a symbol has a strong and complex cultural support behind it, and once the culture has formed a symbol after a long period of accumulation, its meaning will be long-term and stable. Only by reading symbols can we understand the culture carried by symbols. In the book "China in Symbols", more than 100 symbols that can best represent China are identified.

A pair of mascots in the Winter Olympics-the ice pier and the snow rongrong-have won everyone’s love. The design of the ice pier contains the determination, courage, futurity and sense of the times of the Olympic spirit; Snow Rongrong seeks for the interior of China traditional culture, illuminates the road ahead with the metaphor of "lantern", and responds to the theme of "community of human destiny" with warmth and warmth. Ruyi Ring, Great Wall pattern, Beijing pigeon pattern and Ruyi pattern all over the snow Rongrong are typical China traditional decorative patterns, and each pattern has a profound cultural significance.

To some extent, ice piers and snow melts are symbols deliberately created to represent a cultural phenomenon and convey a certain meaning. We collect and love them, not only because they are a pair of lovely dolls, but also because of the Olympic spirit precipitated from them and the inspiring spiritual memory about the Winter Olympics. Therefore, we pay attention to some cultural symbols, but in fact we pay attention to the cultural significance it represents.

On January 18, 2022, in Beijing, the mascots of the Winter Olympics, Bing Dundun and Xue Rongrong, were on the subway line 11, and the train was decorated to welcome the Winter Olympics. Chang Zhitao/vision china Map

China is a big country with "cultural symbols". In thousands of years’ history, we are very good at symbolizing and conveying spiritual meanings that are difficult to express or are easy to escape because of mystery, such as class and power, seeking happiness, spiritual belief, and avoiding evil and disasters. China in Symbols, published by Zhonghua, selected more than 100 symbols that best represent China, such as Dragon, Phoenix, HarmonyOS, Zhu Rong, Taiji, Bagua, Hutuluo, and Sanxingdui’s "Sun-Bird of God-Man of God-Tree of God", which were divided into four series: auspicious, guardian, sacred and humanistic, and examined the generation and evolution of these symbols.

Animals as symbols

The generation and development of a symbol must have strong and complex cultural support behind it, and once the culture has formed a symbol after a long period of accumulation, its meaning will be long-term and stable. Only by reading symbols can we understand the culture carried by symbols.

As mentioned above, the theme of the mascot chosen for several international competitions held in China is panda, and panda is increasingly becoming the most representative animal of China. The panda was not so conspicuous among the animal symbols in ancient China. When choosing symbols, China prefers to choose the "god beast" handed down from ancient times. For example, the dragon and phoenix, which Wen Yiduo said were "symbols of the origin of a nation and the beginning of a culture", the nine sons of the dragon derived from the dragon system, as well as the brave and unicorn, which have experienced some combination and creation like the dragon.

Chen Rong’s Painting of Kowloon in Southern Song Dynasty

It seems that only those animals full of mystery and re-creation can be used as a symbol of auspiciousness, such as Kirin, which, as a symbol of auspiciousness, is said to appear only in times of peace and prosperity or when saints are born. The real animals are often attached to these beasts. For example, in the Ming Dynasty, a foreign messenger presented a beast, which was thought to be a unicorn, which caused a sensation throughout the country, but was actually a giraffe. The picture of Ruiying Kirin was painted by people who mistook giraffes for unicorns at that time.

Ruiying Qilin Map

Another example is the lion, an animal introduced to China from the Western Regions. The Book of the Later Han Dynasty, Biography of the Western Regions, records that the country of interest "sent envoys to offer lions", which caused a sensation in the capital. Since then, more and more countries have offered lions to China. Until the Yuan Dynasty, it was recorded that lions entered China as a tribute. After the lion entered China, it gradually merged into the myths and legends of China and became a sacred thing. However, as auspicious symbols, such as the stone lion with strong symbolic significance, it will integrate the characteristics of animals such as dragon, tiger, unicorn and gluttony, and distinguish it from ordinary lions according to the characteristics of China’s "God beast" culture.

In the "All Nations Come to Korea", it is possible to re-create a "Rui beast" based on some animals.

In the "All Nations Come to Korea", it is possible to re-create a "Rui beast" based on some animals.

Even native and common animals, in order to highlight their mystery and preciousness, will increase or decrease organs, or replace some parts to stand out from the crowd. For example, the "Four Spirits", such as the three-legged golden toad, had a high position in the Han Dynasty. In the whole process of "Ascending Immortal" in the tombs of the Han Dynasty, the Queen Mother of the West often set up a tripod in front of her, and the jade rabbit pounded the medicine and the toad took charge of the medicine, symbolizing the making and mastering of the immortal medicine.

"Errors" and "Dislocation" in the Evolution of Symbols

As a symbol, the shape and meaning of an animal will change constantly. Take the golden toad as an example. In the Han Dynasty, it was a symbol of longevity. In the Tang Dynasty, people called the golden toad the golden toad and thought it was a symbol of wealth. When these auspicious symbols are given meaning, there is often no logic. Zhao Yuntao, the author of China in Symbols, believes that the formation or evolution of many symbols can be summarized in two words-"error" and "dislocation".

Zhao Yuntao said that one of the manifestations of "mistakes and errors" is gradually "accumulation of non-achievements". For example, "Zhang Guolao" in the Eight Immortals, there is a sentence of "Mr. Zhang Guolao" in the handed down literature. In ancient times, there was no punctuation, and there was no definite sentence. Later, "Zhang Guo, the old gentleman" became "Mr. Zhang Guolao"; In the Ming and Qing Dynasties, people attached it to the character of the Eastern Han Dynasty: Liu Haichan. Because of the word "toad" in its name, people made up the story of "Liu Haichan playing with golden toad", and the name of Liu Haichan became "Liu Hai". Zhong Kui, according to an ancient book, the dialect of Qi often called the big wooden stick, namely "chuí", as "Zhong Kui". This big wooden stick can be used to drive away ghosts. Later, it was a myth that led to an exorcist named "Zhong Kui".

However, some "mistakes" are consciously generated by people. For example, taking animals and plants as auspicious elements, the formation of auspicious meanings mostly relies on associative thinking and deliberately forms the "mistakes" effect. "Deer" is homophonic "Lu", so people draw a deer, which means that they can get Fu Lu, because bats are homophonic "Fu"; There is also a typical "Four donkey kong" which has been adjusted because of the homonym "good weather" of the treasure in hand.

Ming anonymous Liu Hai Jin Chan Tu

Qing Yongzheng pastel gourd bowl

Zhao Yuntao believes that the "dislocation" in the formation and evolution of symbols is a more advanced "error". "Dislocation" means that some symbols have gradually changed in the process of sanctification, secularization and localization.

In China’s belief system, a considerable number of Buddhist immortals will undergo a "localized" transformation in China. Avalokitesvara Bodhisattva in ancient India was male and spread to China. Before the Tang Dynasty, it was mostly male with a moustache. With the improvement of women’s status after Wu Zetian came to power, Guanyin Bodhisattva also became a female image. After Yuan Dynasty, Guanyin became the mainstream. The early Maitreya Buddha was not a big belly. It is said that the shape of the big belly was based on a cloth-bag monk named Qiben in the Five Dynasties. People liked this image and gradually settled down, resulting in the big-bellied Maitreya Buddha.

Liang Kai’s Picture of a Bag Monk in the Southern Song Dynasty

With China’s vast territory and frequent dynasty changes, the choice of immortals is also very arbitrary. For example, Yan Luowang, who is familiar with the underworld, was originally the God of Mount Tai before him. According to the Natural History, the God of Mount Tai is called "Tiansun" and is the grandson of the Emperor of Heaven. He is responsible for calling people’s souls and knowing the length of their lives. During the Wei, Jin, Southern and Northern Dynasties, a new destination and manager was born in the ghost world, namely feng du and Fengdu Emperor created by Taoism. It was not until the Tang Dynasty that the Buddhist belief in Yan Luowang began to prevail.

Yan Luowang came with the spread of Indian Buddhism to the east. It can be seen that the belief symbol that we originally thought was very characteristic of China was the result of cultural integration. For example, the "hell" in folk imagination is the widely accepted and loved "the Monkey King" which combines China’s "yellow earth" with Buddhism. According to Hu Shi’s textual research, its prototype is the Indian monkey Ha Numan in the Indian epic Ramayana.

In addition to the dislocation caused by thinking and aesthetic mode and cultural integration, people’s behavior will also lead to the occurrence of "dislocation" in the symbol system. For example, sweeping graves is a custom of the Cold Food Festival in the Tang Dynasty, but the Cold Food Festival is forbidden by fire, and it is popular in the Tang and Song Dynasties to burn paper money for sweeping graves. So in order to avoid conflicts, the custom of sweeping graves has gradually become a symbol of Tomb-Sweeping Day.

Interpretation of the symbol of "daily use without knowing" in The Journey to the West

In the writing of China in Symbols, the author starts with China’s classical novels, and talks about the application of symbols in the novels, so as to arouse readers’ interest in those symbols that are "unknown for daily use".

The most prominent text is The Journey to the West. The Journey to the West’s seemingly illogical stories of ghosts and gods actually have a very solid foundation of folk beliefs. For example, at the end of The Journey to the West, why are all the scriptures that Tang Priest got back for the first time blank, and the scriptures that he finally got are shelved? Zhao Yuntao thinks: "The Tang Priest in The Journey to the West went to the Western Heaven Lingshan, and it was Jia Ye and Ah Nuo (prototype is Ananda) who led the Tang Priest to fetch books. The scripture that Tang Priest took for the first time was blank, which actually showed the purpose of Zen’s "no writing" and inheritance. " And "the story of Tang Priest’s learning from the scriptures is familiar to everyone. In history, Tang Xuanzang went to India to learn from the scriptures, mainly taking the classics of the only Sect. But the classics he brought back were quickly shelved and later lost. One of the most important reasons is that it is difficult for the general public to accept or approach the only-knowing Sect, because many terms in the classic of the only-knowing Sect are incomprehensible to most people, and the practice is hierarchical, and the steps are very complicated, and it is more inclined to professionals. "

The Journey to the West stills

Many monsters who make waves in The Journey to the West are mounts of immortals in the sky. The only demon that appears twice in The Journey to the West is the lion spirit of Manjusri Bodhisattva, once in Wuji State and once in Shituoling. In The Journey to the West, there is a monster that even the Monkey King is afraid of him, that is, the Nine Spirits Yuan Sheng, also called nine lions, which is the mount of Taiyi to save the suffering Buddha. The Holy Spirit of Nine Spirits and Yuan is very powerful, and he can capture the Monkey King and Friar Sand alive with his head, making the Monkey King flee at the sound of it. There is also the mount of the birthday girl, the White Deer, which is a demon in the lower bound and becomes the father-in-law of the King of the Kingdom of Bhikkhu.

In the Year of the Tiger, a monster spoofed by netizens-the leopard essence of wormwood flower skin, which occupies Yinwu Mountain as the king, is known as the "King of Nanshan". It is a simple monster with no heavenly background among the monsters who come down to earth to make trouble.

Leopard essence in The Journey to the West

In The Journey to the West, their scenes are also arranged according to the level of immortals and the functions of their divisions. For example, because of their low rank, the little deity-Land God, whose belief originated from the worship of "social gods" in ancient times, had a very high status before the Qin and Han Dynasties, but since the Northern and Southern Dynasties, the status of land gods has become more and more humble. During the Ming and Qing Dynasties, people often thought that the Land Lord was the patron saint of the countryside or suburbs and the most basic fairy, and because of its closest connection with people’s lives, the Land Temple was also the most common.

In The Journey to the West, there are many land lords, for example, as the patron saint of special areas, such as the land of Flat Peach Garden and the land of Flame Mountain. In Che Chi Guo, the Monkey King and Tiger force big fairy beheaded each other. When the Monkey King’s head fell to the ground, Tiger force big fairy secretly called out the land and said to him, "Hold the head, and when I win the monk, I will play the king and build the small ancestral temple into a big temple with you, and the clay sculpture will be changed into a golden body." As a result, the land really listened to his words, which also shows the humble status of the land public.

The Monkey King and Land Mountain Gods in The Journey to the West

Every time the Monkey King moves reinforcements, he will meet the gods in the sky, such as the four heavenly kings. When the Monkey King moves reinforcements to heaven, he always goes to the gates of the worse gate and east door first, and he will meet the king who is the gatekeeper of today’s "turn to patrol". The author of China in Symbols believes that the one with the best relationship with the Monkey King is the growth king. "This may contain the traditional concept of" no discord, no concord "in China. When the Monkey King went to heaven for the first time, he met the king of growth and had a dispute. ….. Then the relationship between the two people became better, and the Monkey King’s "sleepy" was won by playing games with the growth king. "

The immortal system in the sky is more complicated. The young ox essence of Taishang Laojun stole the "King Kong Zhuo" and descended to the earth to take the mountain as the king, and seized the Tang Priest. He also used the "King Kong Zhuo" to take away the Monkey King’s golden cudgel. When the Monkey King complained to heaven and asked to find out which "evil star" was thinking of the lower bound, he briefly introduced the immortal system represented by the stars in the sky: first, he checked the officials of the God King on the Four Tianmen Gate; I checked the truth of the large, small and medium-sized groups in the three micro-walls; Also checked the thunder generals Tao, Zhang, Xin, Deng, Gou, Bi, Pang and Liu; Finally, I checked for thirty-three days, and I was comfortable every day; Also check twenty-eight nights, seven nights in the east, horns, horns, temples, houses, ginseng, tails and dustpans; Seven nights in the west, fighting, cattle, women, emptiness, danger, room and wall; Seven nights in the south, seven nights in the north, and peaceful nights; Also checked the sun, lunar, water, fire, wood, gold, earth seven politics; Luo, Ji Du and Bo Yu. There are stars all over the sky, and there is no lower bound of thinking.

China in Symbols by Zhao Yuntao Zhonghua Book Company

China in Symbols provides a new way to read the totem of China’s beasts and auspicious symbols. He introduces the terms of symbols and rhetoric from German philosophers Ernst Cassirer, roland barthes and other western philosophers, and uses the word "symbol" to unify more beliefs and totems scattered in China in various regions and times and write a book. While researching the origin of each symbol, we also start with The Journey to the West’s novels, such as Romance of the Gods and Dream of Red Mansions, to add interest to the narrative with "mutual proof of literature and history".

Special feature of 1905 film network　Last week, the mainland box office closed at 708 million yuan, and in the first week of the new film, there were countless circles of powder, which attracted attention with the theme of "telecom fraud" which was very close to life and only won 10 million box office; The heat has not diminished, and it has once again topped the list, ranking fourth with a stable trend; Two films were on the list by showing surprises in advance.

From December 4 to December 10, there were 2.01 million screenings, and the number of people watching the movie was about 22.05 million.

Paddington Bear 2 broke through 100 million yuan in the first week, but it didn’t end the "dream-seeking" championship.

Stills of Paddington Bear 2 movie

Paddington Bear 2, a Xiong Haizi from Britain, officially landed in the mainland cinema last Friday, earning 22.49% of the box office on the first day of its release with 24.95% of the films. Since then, the film has maintained a single-day film release rate of more than 20%, and the box office trend has risen steadily, successfully breaking through the 100 million yuan mark in the first week. At present, the film’s Douban score is 8.4, which not only does not fall into the "sequel cycle" word-of-mouth transcendence (Douban score is 7.6), but also easily surpasses the previous film’s total box office in the mainland in 2015 (99.89 million yuan) to achieve a series of new highs.

The significance of popularizing the law of "Huge Call" is higher than the market value.

"Huge Call" movie stills

Directed by Peng Shun and starring Cheney Chen, Joseph Chang and Kwai Lun Mei, The Huge Call was officially released last Friday. The film was based on a real telecom fraud case filed by the Ministry of Public Security. As the first anti-telecom fraud film in China, the film attracted great attention as soon as it was released. On the first day of the film’s release, it ranked third in the box office list with 14.56% of the films, and many moviegoers admitted that this film was "the most suitable movie for the elders at home".

The Mystery of Beloved Van Gogh Starry Sky opens a new chapter in art films.

Film stills of The Mystery of Beloved Van Gogh Starry Sky

Neither biographical film nor animated film is the most mainstream film type in the mainland film market, but last week, a film combining the two types, The Mystery of Beloved Van Gogh Starry Sky, landed on the national big screen. This film is the world’s first animated feature film in oil painting style, which reveals the mystery of Van Gogh’s death in a "painting" way. On the first day of the film’s release, the release rate was only 16%, which rose to 24.15% after word-of-mouth fermentation. Among many blockbusters, the film’s first week box office closed at nearly 30 million yuan, and its performance was excellent in this type of film. Throughout this year’s mainland film market, many small-scale films have staged a counterattack battle, which not only represents the increasingly diversified development of the mainland film market, but also the active choice of films by mainland moviegoers.

"Journey to the Dream Ring" won the first place in the week, and the box office trend was stable and orderly.

Film stills of "Journey to the Dream Ring"

Pixar’s first mainland "explosion" "Journey to the Dream Ring" entered the third week of release, and the box office trend was still good. The total box office exceeded 800 million yuan, winning the box office championship for two weeks and winning the box office championship for 15 days in a row. Even the release of Paddington Bear 2, which wanted to compete with it, failed to pull it off the championship. At present, the single-day arrangement of "Journey to the Dream Ring" is still around 30%. This week will be a crucial week for the film to break through 1 billion yuan on the eve of the upcoming Lunar New Year file.

"Fanghua" and "Fanghua" are shown ahead of schedule, and the New Year’s Eve craze is started in advance.

Film stills of "Fanghua"

Last weekend, the two films "Fanghua" and "daoist magic" were screened in advance, and both of them earned more than 10 million box office, and they were ranked third and fourth in the box office list on Saturday (December 9), and both of them reached nearly 50% attendance rate with only 3% single-day filming. The popularity and expectation of the two films can be seen. On the one hand, Fanghua finally met the audience after "bumps"

Daoist magic movie stills.

This week, it officially entered the New Year’s Eve, and domestic blockbusters were shown in a concentrated way. The debut of two blockbusters, Fanghua and daoist magic, is bound to set off the first wave of climax of the year-end festival in the mainland film market. The imported film "Only Miao" strives to survive in the cracks, and whether the French humorous "Christmas Dinner" can stand out from the encirclement needs to be tested by the market. In addition, there are other films that intend to share a piece of the cake in the early stage of the New Year’s Eve. Let’s wait and see who can reach the peak!

1905 Film Data College

Writer: phoenix de tears

There are thousands of marketing methods, and Reuters is one of them. In variety shows, Reuters’s marketing forms are various, and it plays an important role in the preheating and broadcasting period of the show. The simple variety Reuters map is produced and exposed by multiple roles such as stars, fans, drama parties, brands and marketing numbers. When Reuters becomes a conventional marketing method, the consequences of excessive Reuters, acting as a substitute for literature and Reuters’s fraud will also have a more or less impact on the whole industry.

author　| Guo Xuemei (author group of cultural industry review, researcher of Sanchuan Huiwen Tourism Research Institute)

read and edit　| Time　

edit　| Peninsula

source　| Cultural Industry Review

After the launch of "Sister Lang" in the new season, the Internet ushered in the explosion of Cyndi Wang. In the hottest days, there were many hot searches about her in Weibo, and her entries even began to dominate the daily list. Among them, in addition to the program, Cyndi Wang, which is full of life in Reuters, also has a strong enthusiasm, and the sweet girl after work has caused discussion among netizens.

　

The so-called Reuters refers to some unofficial photos, videos, star schedules, etc. At present, it has become an ordinary and popular marketing method. Judging from the variety shows, whether it’s the trip of the veteran season-broadcast variety runner to Reuters, or the recent topic that Miss Lang wears Reuters to and from work, it can be seen that Reuters marketing has gradually become an important "course" in the variety industry.

　

For variety shows, what are the specific forms of marketing in Reuters? What are the interests behind it? When Reuters became a star’s daily marketing tool, what problems were exposed?

"Thirty-six Strategies" of Variety Reuters Marketing

At present, the variety Reuters has many specific ways, such as program itinerary, guest lineup, star modeling, CP sense, variety link and so on, which runs through the whole stage from shooting to the end of the broadcast.

　

　

Before the program is broadcast, it is usually necessary to constantly create topics for exposure, and gain a certain audience base in the early stage, thus winning considerable ratings for the broadcast.

　

In the warm-up stage, Reuters marketing generally focuses on three aspects: program itinerary, guests and variety shows.

　

For location reality shows such as A Desired Life, My Wife’s Romantic Travel, Flowers and Teenagers, the Reuters of the itinerary is usually easy to arouse the curiosity of the program audience, stimulate the enthusiasm of the fans in the planning place of the program itinerary, and generate the motivation to promote it spontaneously during the off-air period.

　

△ "Yearning for Life" trip to Reuters

　

And some variety shows with flying guests, Reuters, who invited the star lineup, will attract attention. On the one hand, for the stars invited by well-known domestic variety shows, their fans will have a certain sense of pride, and then they are more willing to promote through Reuters; On the other hand, the program itself will also bring topic ahead of time because of the chemical reactions that different guest partners may stimulate, which will attract more attention from passers-by.

　

△ Running male guest Reuters

　

In addition, some Reuters will also reveal some links in the variety show, which is more likely to arouse the curiosity of star fans and audience and increase their expectation for the feature film because of its uncertainty.

　

△ "Chinese Restaurant" Variety Link Reuters

　

　

After the program starts, the focus of Reuters’s marketing will change, but the forms will be richer.

　

On the one hand, because variety shows are mostly close to daily life, it is almost impossible to have the freshness brought by costume dramas. Therefore, many variety shows will set up people for stars through modeling and costumes, which has also become an important gimmick for program promotion.

　

For example, in the Great Escape from the Chamber of Secrets, each guest will play a role in the story, and different costumes will become the basis for sorting out the roles. Reuters with the theme of program wearing has therefore become a necessity for each escape from the Chamber of Secrets, which will continuously promote the popularity of program broadcasting by arousing the audience’s prediction and discussion on the roles in the next issue.

　

△ "The Great Escape of the Chamber of Secrets" styling Reuters

　

As a result, the star private server business in Reuters’s picture was also formed. Because some stars don’t wear exaggerated and big-name costumes in their daily lives, this also allows fans to get the experience of "the same as idols" through low-cost consumption. The relationship between stars and fans is also closer.

　

　

On the other hand, group CP has also become a common operation in variety shows. Especially the sense of CP embodied in Reuters, compared with the deliberate creation in the program, the daily CP interaction is more loved by people.

　

△ Group CP from the map of Langjie Reuters

　

In addition, the Reuters marketing of variety shows is not only in the show, but also outside the programs such as commuting, which is common in variety shows while shooting and broadcasting. Reuters’s pictures with this theme can quickly draw close to the fans, especially in short videos with interactive nature or face shots that have not been over-retouched, and can restore more real stars to fans, thus more effectively increasing the audience’s stickiness of the program.

　

Multi-party "Mind" behind Variety Reuters Marketing

The seemingly ordinary variety Reuters map on the hot search actually contains many thoughts and interests. Not only the visible characters such as stars, fans and producers, but also the hidden characters such as clothing brands and marketing numbers.

　

　

In the marketing of variety show Reuters, stars, clothing brands and fans are in a special relationship structure. Stars wear clothes and accessories of a certain brand, and spread their own personal designs through the wearing style in Reuters’s picture, so as to realize the potential personal designs.

　

△ Meng Mei Qi "fashionista" people set up

　

The brand, on the other hand, opens its popularity with the help of Reuters, a celebrity private server, and adapts to the consumers who turn their fans into brands. At the same time, fans are exposed by Reuters, the star’s private server, and establish more potential contacts with them.

　

Due to the constant interaction between the three, stars and brands can slowly find their own marketing methods. For example, a star likes the daily wear of neutral style, and the corresponding brands can also cooperate with them to form positive guidance, thus promoting fan consumption.

　

　

In the marketing of variety Reuters, the producer, the marketing number and the audience constitute another relationship. Before the program starts, in addition to official publicity, the producers will also release a large number of Reuters to the marketing number, thus attracting the attention of the audience. In addition, these marketing numbers will also trigger discussion among netizens by creating topics, create a certain degree of memory among passers-by, and attract more passers-by powder for the program.

　

△ There are many marketing numbers on Tik Tok for short video shooting of "Star commuting".

　

Fans’ responses under the marketing number will also form useful feedback for producers, which can help them identify the market and be targeted in Reuters marketing.

　

△ Variety scenes similar to the "Beginning" of the explosion are easy to circle.

Hidden worries behind Reuters’s marketing

When Reuters marketing became the routine operation of variety shows, the problems it brought became more and more obvious.

　

Excessive Reuters: Affect editing and cause losses.

　

For Reuters, on the face of it, producers and fans generally resist. On the one hand, there is too much mystery and novelty in the broadcast of Reuters’s variety shows. Although variety shows are mostly in the form of periodical broadcast, such problems can be avoided through lens editing and deletion, but there will still be labor costs, and this selective editing may also lead to misleading plots.

　

△ Speaking rules in Sean Xiao fans’ super words

　

On the other hand, Reuters’s excessive editing and mending may also make the stars who are not expressive enough in the variety show passively disappear in front of the camera, thus causing psychological damage to the fans of these stars. Therefore, the overall attitude of fans towards Reuters is mostly resisted.

　

　

In addition, it is the negative influence brought by the substitute filming accompanied by Reuters. After the star agency has become a lucrative business, the whole agency industry has also begun to move towards involution.

　

It turns out that the clear and perfect Reuters map is the favorite of fans. Now, only when the "small composition" is well written, it is possible to harvest leeks well. Nowadays, writing on behalf of others has evolved into a network term of "literature on behalf of others" and formed a unique expression technique.

　

△ Image from Sohu Entertainment

　

However, due to the pursuit of eyeball effect in "substitute literature", many times deliberate fabrication or vocabulary creation easily affects the setting of some links in the variety show itself, resulting in misunderstandings in the hearts of the audience.

　

　

Nowadays, variety shows are willing to attract attention through group CP. But the problem is that the information revealed by Reuters’s map is probably just the imagination of the audience. If the program doesn’t have such an effect after broadcast, it will lead to the failure of fans’ expectations.

　

△ "Chinese Restaurant" Reuters hinted that Ding Zhen and Zhou Ye had a strong sense of CP, but the program presentation rarely reflected the sense of CP interaction.

　

In addition, if the producers try to cater to this setting, it will also bring some bad experiences to some fans, especially some star fans who exclude the CP group. For example, in the early days, the Running Man would implicitly bind Lu Han and Dilraba in the program, trying to harvest the topic with their CP, which once caused some disputes among fans.

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At present, the marketing of variety shows in Reuters has become a normal phenomenon. When Reuters Map, an illegitimate propaganda method, began to be included in the category of normal marketing, our understanding of variety shows and stars may begin to deviate. In essence, a variety show, if the content is not innovative enough and the final product performance is not good, no matter how good or how hidden the marketing means, will only be killing.

　

　　

More than half of the process of the Lunar New Year is over, and the 2022 Spring Festival file is ready to go. As the first of the three golden files, the Spring Festival file is getting more and more blocked every year. According to the data of Lighthouse Professional Edition, up to now, there are 14 movies, and there is no sequel to this explosion movie. The genre is almost the same as comedy, plot, family animation and other "old three". At present, it is the time when the marketing of the Spring Festival films is launched, and materials are being laid to warm up the market. However, the reporter found that several of these 14 films have been "silent" for a long time, bringing some variables to the Spring Festival films.

Yangzi Evening News/Zi Niu Journalist Kong Xiaoping

Intern Bian Shulei

No explosive sequel, recklessly content, theme and lineup.

According to the data of "Want to See" in the professional edition of Lighthouse, the pre-screening attention of the Spring Festival in 2022 can be roughly divided into three echelons, among which the three films "Super Family", "Miracle" and "Four Seas" have the highest attention, forming the first echelon. At present, the data of "Want to See" ranges from 140,000 to 220,000, and the amount of attention is high. Shen Teng is the Super Family.

There is no explosive sequel like Tang Detective 3 and Catch the Demon 2 in the Spring Festival of 2022, so the pre-marketing of each film is about the "hard power" of content, theme and main lineup. From this point of view, The Super Family, Miracle and Four Seas have their own advantages.

The animated family movies occupy half of the country, and the theatrical versions of the four IP’s "Little Tiger Dun Hero", "Cherry Maruko", "Bears Appear" and "Pleasant Goat and Big Big Big Wolf" will compete together.

Poster of "Little Tiger Pier Hero"

In addition, there are many small and medium-sized movies on the list of Spring Festival files, such as Little Tiger Pier Hero and Play Like Life. It is not uncommon for a small piece to break into the golden file in the past, but the ending is different. It will be clear at that time whether they are the atmosphere group of the big schedule or the strength group.

Happy New Year’s Eve, two twist films "rolled up"

The Fantasy Comedy Movie "Super Family" starring Allen and Shen Teng is a Mahua FunAge film directed by director Song Yang again after "Shameful Iron Fist". This film tells the story of Zheng Qian (Allen) who ran away from home many years ago and went back to his hometown Kasic to attend his grandfather’s funeral, but witnessed the family triggering super powers. At the same time, Zheng Qian was robbed of his own APP by the evil mayor, Qiqikov (Shen Teng). Zheng Qian was forced to unite with his super-powerful family to resist begging.

It is worth mentioning that Shen Teng continued his "indissoluble bond with Russia" this time, from the variety show showing Russian, to pretending to study in Russia in the movie "My hometown and I" and "Liang Ma", and this time he really came to Russia to shoot, which made the audience very curious about "exotic Shen Teng". "Super Family" has added a new setting of "super power" to Mahua FunAge-style comedy, and it is expected to become a dark horse player in the Spring Festival.

It is reported that the film "Super Family" is the most expensive and difficult film in the history of Mahua FunAge, and it can be said to be "unprecedented" in shooting cycle and scale. Director Song Yang led the crew to cross-border shooting and travel to six places, with Russian shooting accounting for nearly 50% and over 1,700 special effects shots. This is an all-round upgrade of Mahua FunAge’s film production industry, with Starlight Glimmer behind the scenes. The film assembled Zhang Ying, the photography director of Sheep Without A Shepherd’s Ignorance, production designer Meiqing Huang, the action director of detective chinatown series, and Jiang Yan, the visual effects director, who had participated in many Hollywood special effects blockbusters such as Ant Man, Black Panther’s Hunger Games.

Another Mahua FunAge film, The Killer Is Not Too Cold, is produced by Yan Fei and Peng Damo, directed and written by Xing Wenxiong. This film tells the story of an actor who accidentally hits a real killer.

Miracle is a story with the most special temperament and the pursuit of happiness by ordinary people.

Different from the hustle and bustle in Mahua FunAge, the key words of Miracle are: Muye Wen, Jackson Yee, Shenzhen’s pioneering work, and sense of the times, all of which make this film have a different temperament from other films in the Spring Festival.

In Shenzhen, a city full of dreams and unlimited opportunities, Miracle, a story about ordinary people’s pursuit of happiness, contains great universal emotional power behind it. After Dying to Survive, director Muye Wen finally brought a realistic film. Muye Wen said that Dying to Survive is a hero at a relative social level, and Miracle is an individual hero in this era. "About affection and love, it is for his family and the people he cares about." "Miracle" will continue the universal resonance in Muye Wen’s works and show the most touching and sincere things in ordinary people’s stories. Under the original intention of this creation, "Miracle" is no longer a distant and great concept, but it means everyone’s extraordinary actions in the face of life.

The leading actor is Jackson Yee, a new generation acting school. In the past two years, Jackson Yee’s acting skills have made great progress and won many awards. A Little Red Flower, Better Days and The Battle at Lake Changjin are masterpieces of word-of-mouth and box office in Qi Fei. Since The Battle at Lake Changjin, many netizens have said that Jackson Yee may be one "Miracle" away from the first "Billion Actor" after 00.

During the Spring Festival of World War III, Han Han came back with Four Seas.

"Four Seas" is Han Han’s fourth film, and this is his third sprint for the Spring Festival. His first film "Never Will See You Later" won 629 million box office in the summer of 2014, which was the tenth in the box office list and the fifth in domestic films. The second film "Riding the Wind and Breaking the Waves" earned 1.046 billion box office in the Spring Festival of 2017; In 2019, I took "Flying Life" to fight the Spring Festival again, and in the attack of The Wandering Earth and "Crazy Alien", I gained 1.728 billion box office.

It is reported that "Four Seas" tells the story that Wu Renyao (Haoran Liu), a teenager who is good at motorcycle stunts, meets his father Wu Renteng (Shen Teng) who he hasn’t seen for many years again. At this time, the girl Huansong (Liu Haocun) and her brother’s motorcade accidentally break into their lives, and they will eventually become famous all over the world or become a home all over the world. Through the first three works, Han Han not only won the double authentication of market and word of mouth, but also left a deep impression on the audience with his unique "Korean humor" and distinctive work style.

The Year of the Tiger came, and the short video "online celebrity" and "Little Tiger Pier Hero" airborne.

Family fun animated film is a must-have dish on the menu of the Spring Festival. There are as many as four or five cartoons in the Spring Festival in 2022. In addition to the familiar faces "Bears", "Pleasant Goat and Big Big Big Wolf", there is finally fresh blood. On December 21, the national wind animated film "Little Tiger Pier Hero" was officially announced to be in the Spring Festival file, which is commendable.

In December 2018, the image of a tiger-headed tiger pier appeared on the short video platform, which was quickly loved by a large number of children and young audiences. Today, this cute tiger child has become a highly regarded original national IP.

On the occasion of the arrival of the Year of the Tiger, Xiao Hudun in the story ushered in his first "animal year", and his wonderful story will be presented in the form of a movie for the first time. "The Great Hero of Xiaohudun" tells the adventure story of Xiaohudun chasing the dream of the escort in his heart. Not only does it focus on Hu Dun’s dream of becoming a hero, but a series of curious background stories such as his life experience and family will also be unfolded one by one, and his characters will be more full. The organic integration of family ties, Chinese New Year and dreams makes the film have the atmosphere of family fun in the Spring Festival.

Say one more word

Many "lost voices" movies may face variables.

Counting the 14 films of the Spring Festival at present, many of them have similar phenomenon characteristics, for example, the booking time is "not the earliest but earlier", and the booking time of Cherry Maruko: Fantasy Notes, Jurassic Paradise and Play Like Life is January 29, July 19 and September 14 this year respectively. Announced to enter the Spring Festival file early, and brushed a wave of presence and attention for the film in advance. Even if the file was temporarily withdrawn, the free heat was also felt. In addition, several films have not been updated recently, such as Cherry Maruko: Fantasy Notes, tangdao, Jurassic Paradise, etc. Even Zhang Yimou’s Sniper did not release the preview and other materials after the announcement of the file on November 22, and Breaking Through Guanwei did not update it after October.

I still remember that in the Spring Festival of 2019, there were at most 13 films scheduled, and only 8 films were released on time when they were officially released, among which Happy Events in Rivers and Lakes, Animals Attack, Days Never Fall Hotel and so on were silently withdrawn.

At present, there are still 40 days before the opening of the Spring Festival in 2022. The layout of the Spring Festival file can’t be said to be a foregone conclusion, and many "voice-lost" films may face the variables of staying or staying.

Cctv news In March 2010, a car accident changed the life track of Zeng Wei, a girl born after 1985. She was identified as a fourth-grade physical disability, and since then, headaches, numbness and other sequelae have plagued her every day.

Before the accident, Zeng Wei was a doctor and opened a clinic in Wu Shan Village, Huaxi District, Guiyang. Now, she has to choose to start a new business. Considering her own situation and understanding of the disabled group, she founded a mosaic glass factory and recruited a large number of disabled people.

Xiao Liu is a deaf-mute and doesn’t like to communicate with others when he first came to the glass factory. Zeng Wei often chats with him, which is more helpful in life and work. Gradually, Xiao Liu became cheerful. He is smart and eager to learn, and he can do some complicated work well. Now, Xiao Liu’s monthly income has exceeded 4000 yuan.

A few years ago, the village-run schools in Wu Shan Village of Guiyang City faced closure due to financial difficulties, which meant that many children in the village would have no schooling. After understanding the situation, Zeng Wei quickly invested in a Chengxing school. In order to let the teachers who live far away feel at ease in teaching, she also arranged dormitories for the teachers out of her own pocket. Every year, the school will have a funding gap of 30,000 to 50,000 yuan, and Zeng Wei will use the income of the factory to subsidize the school.

For schools, the education of left-behind children is a big problem. Zeng Wei and the teachers discussed the educational methods and gave classified guidance to the left-behind students. Over the years, the school has reduced tuition and miscellaneous fees for 110 students by more than 45,000 yuan, and the enrollment rate has remained above 90% all the year round.

In addition to donating money for education, Zeng Wei also mobilized students to form a volunteer service group to care for the poor elderly. They are led by teachers and regularly help the elderly in the village to do farm work and housework. Zeng Wei has many years of medical experience and is very familiar with health preservation. Over the years, she has given more than 50 lectures on health and shared her experience with nearly 2,500 people.

Today, Zeng Wei’s biggest dream is still related to the education of children in her hometown. By her side, love is growing from point to line, from line to surface. Here, let’s say "thank you" to this charity messenger!

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The exterior design of the eπ 008 is full of futuristic and technological sense, and its front face adopts highly recognizable design elements. The air intake grille adopts a closed design, which not only highlights the identity of the electric model, but also shows the exquisite craftsmanship. In terms of overall style, the design lines of the eπ 008 are smooth, and the body posture is low, creating a strong sense of movement and movement. In addition, the waist line design on the side of the body is also very unique, which enhances the three-dimensional and layered sense of the body. No matter from which point of view, the eπ 008 shows a very high level of design and craftsmanship.

eπ008的车身尺寸为5002*1972*1732mm，轴距达到3025mm，前轮距和后轮距均为1650mm。其侧身线条流畅且富有张力，营造出强烈的运动感。配备265/45 R21规格的轮胎，搭配独特的轮圈设计，进一步提升了车辆的运动风格和视觉吸引力。

eπ008的内饰设计独特且极具现代感，采用了一块15.6英寸的中控屏幕，带来清晰且直观的操控体验。中控台布局合理，集成了多媒体系统、导航、电话和空调的语音识别控制系统，使驾驶者能够更加便捷地操作。真皮方向盘手感舒适，支持手动上下前后调节，为驾驶者提供了良好的操控体验。座椅采用仿皮材质，主驾驶座椅具备加热、通风、按摩和头枕扬声器功能，提升了舒适性与豪华感。副驾驶座椅同样具备加热、通风功能。此外，前排座椅还配备了电动座椅记忆功能，方便驾驶者存储和调用个性化的座椅设置。第二排座椅则支持靠背调节和腿托调节，提升了乘客的舒适度，后排座椅支持比例放倒，增加了储物空间的灵活性。车内还配备了USB和Type-C接口，方便乘客为电子设备充电。前排座椅还配备了无线充电功能，方便驾驶者和乘客随时为手机充电。

eπ008搭载了一台1.5T 147马力的L4发动机，最大功率为108千瓦，最大扭矩为210牛·米。配合电动车单速变速箱，提供了平顺且强劲的动力输出。

综上所述，汽车之家车主 对eπ008的评价非常积极。他称赞了eπ008外观设计的大气，1.5T增程器的高效性能，以及车内空间的巨大优势。特别值得一提的是，他对车机语音助手的响应准确度表示赞赏，称其为他最喜欢的特色之一。

　　TV series The Longest Day In Chang’an stills information pictures

　　[Ask and cut the net text]

　　● The cultural consciousness of online novels with the theme of ancient costumes in the process of film and television adaptation has broadened the space for their development. At the same time, the arrival of the "internet plus" era has also brought a new opportunity and challenge to the development of online literature.

　　● From online novels to film and television dramas, it belongs to "re-creation" and "re-creation". The value guidance and cultural atmosphere should not be a process of weakening, but should be a process of continuous improvement and strengthening, so that the value guidance is more in line with social value norms and the cultural atmosphere is fuller and more authentic.

　　From its germination, prosperity to popularity, online novels with the theme of ancient costumes have always been inextricably linked with Chinese traditional culture. The mature development of online literature can not be separated from the influence and nourishment of traditional culture, from the ancient costume theme in the early days, to the hot travel novels later, and to the increasingly popular online novels with biographical costume themes recently. In recent years, some popular TV series adapted from online novels, such as Hougong Zhenhuan Biography, Ruyi’s Royal Love in the Palace, legend of miyue, nirvana in fire, Do you know if it should be green and fat, The Longest Day In Chang’an and Joy of Life, show the grand Chinese history, classic poems and songs, and traditional folk customs one by one, coupled with different types and styles of plays, personalized character design and subtle cultural connotation, showing Chinese tradition. The cultural consciousness in the process of film adaptation of online novels with the theme of ancient costume broadens the space for their development, and the arrival of the "internet plus" era also brings a new opportunity and challenge to the development of online literature.

　　Let "overhead" land.

　　In the early stage of creation, online novels with the theme of ancient costume tend to adopt the writing style of "overhead" history, or construct the whole work in the mode of crossing time and space. This creative way far away from history has found a more reasonable solution in the process of film and television adaptation of online novels.

　　Wu Xuelan’s Biography of Zhen Huan, an online writer, is the main representative of returning to historical film and television works from online novels with overhead history. In the original work, the author fictionalized a dynasty, telling the story of a bloody incident in the former imperial harem from the first year of Ganyuan to the thirty years of Ganyuan. In the film adaptation, he chose to land in the Yongzheng period of the Qing Dynasty, relying on the history of the Qing Dynasty, to show that familiar and unfamiliar court story.

　　Joy of Life, an online novel, was originally a novel about crossing the theme. It tells the story of a dying patient in modern times, Fan Shen, who happened to cross the fictional country of Qingguo by chance and started a confusing adventure for the rest of his life, hence the name "Yunian Qing". In the process of film and television adaptation, the creator adopted the narrative mode of "play in play" to transform Fan Xian’s legendary experience of celebrating the country into the content of a novel written by Jasmine Zhang, a university student. This plot design not only conforms to the narrative logic of "crossing" the plot in the original work, but also complements the research idea of the protagonist Jasmine Zhang "analyzing the history of ancient literature with modern concepts", and better sews up the gap between the fiction of online literature and the official history, which makes a powerful exploration for the realistic return of novels with costume themes.

　　In addition, the accurate positioning of historical events is also a new attempt in the film adaptation of online novels in recent years. The TV series "legend of miyue" directed by Zheng Xiaolong tells the ups and downs of the life story of Mi Yue, the first empress dowager in China history and a female politician of Qin State in the Warring States Period. Among them, allusions such as "Returning to Zhao in perfect condition", "encircling Wei to save Zhao" and "uniting Lian Heng" are accurately reproduced, and figures such as Zhang Yi, Qu Yuan and Huang Xie also appear in the Warring States Period, realizing a high degree of integration of biographies and historical facts. It can be seen that the landing of "overhead" history, the reversal through time and space, and the innovative interpretation of celebrity allusions have become an important path for the film adaptation of online novels, gradually guiding the audience to pay attention to, respect and reflect on history, and to understand and observe reality with a more rational and comprehensive eye.

　　Let classical poetry "appear" vividly

　　Five thousand years of Chinese traditional culture is extensive and profound, which has become the spiritual soil for the creation of online novels with the theme of ancient costumes. At the same time, online novels actively absorb and transmit the artistic essence of Chinese excellent traditional culture. The emerging network literature forms and excellent traditional culture join hands to explore new ways forward.

　　In recent years, the film and television dramas adapted from online novels with the theme of ancient costumes have tried to integrate classical poetry and lyrics into film and television works, making a new attempt for the revival and dissemination of traditional poetry. At present, there are several types of reproduction methods of classic poems in popular dramas with costume themes adapted from online novels.

　　First, the name of the play is vividly used in poetry and allusions. For example, the title of the TV series "Do you know if it should be green, fat, red and thin?" is taken from the words in the Song Dynasty poetess Li Qingzhao’s "Like a dream, it rained last night and the wind blew suddenly." When the novel was published, seven poems were also used as the titles of each volume, namely, "Begonia blooms in my hometown today, and only famous flowers are bitter and lonely", "I faded my makeup from plum powder and painted a new red begonia", "Begonia doesn’t hesitate to be rouge, and I don’t wait for the golden house to recommend Huatang", "I don’t know that flowers are more gorgeous until I am pale, and I am eager to love Begonia", "How can I make peaches and plums speak, and sleep with a new begonia?" The title of each volume revolves around "Haitang", which coincides with "green, fat, red and thin". At the same time, the style of writing is the same, and the cultural heritage of the whole work is added.

　　Second, classic poems appear frequently in film and television works in the form of lines. For example, in "Biography of the Harem Zhen Huan", Zhen Xuan explained the origin of his maiden name to Yongzheng when he participated in the draft, and quoted the words "a beautiful waist" in Cai Shen’s "A Prune of Plums" in the Northern Song Dynasty, which coincided with Zhen Xuan’s charming appearance and cool temperament. At the same time, he also used Cai Shen’s words and quality to express his personal feelings to Zhen Xuan’s father Zhen Yuandao in the play. In addition, the characters in the play are lined with corresponding poems, which are closely related to the characters’ personalities and fates. For example, Shen Meizhuang chanted "I would rather hold the incense in the branches and die than blow it into the north wind" (Zheng Sixiao’s "Cold Chrysanthemum"), and An Lingrong sang "Advise you not to cherish the golden gowns, and advise you to cherish your youth. When flowers bloom, they must be folded straight, so don’t wait until there are no flowers and empty branches "(Yuefu poem" Goldilocks "), and the king of Guojun lamented on the night of Tanabata that" when the golden wind and the jade dew meet, they will overcome countless people "(Qin Guan’s" Queqiao Fairy ").

　　The third is to take the allusions in the famous works as the core plot of the film and television drama. For example, the hit drama Joy of Life quoted the poem "Stay in Qing Yu" in A Dream of Red Mansions: "Stay in Qing Yu, stay in Qing Yu, and suddenly meet a benefactor; Lucky mother, lucky mother, accumulated yin gong. Don’t be like my cruel uncle and traitor who loves money and forgets flesh and blood! It is multiplication, division, addition and subtraction, and there is a sky on it! " Taking this as the plot of the drama, and then persuading people to uphold the idea of helping the poor and helping the poor, which is highly consistent with the theme of the drama. The diversified and flexible use of classic poetry in the film and television works adapted from online novels not only expands the communication path of traditional poetry, but also creates an immersive space field for the audience to understand the profound meaning of poetry, which is a novel and extensive way of communication.

　　Let the "textual research fever" continue to heat up

　　The popularity of film and television dramas on mass cultural consumption is relatively high, and excellent ancient costume works can become a powerful carrier of traditional cultural communication to some extent. The audience’s "textual research" on customs, costumes and etiquette in film and television dramas has given new narrative dimensions to the works with the theme of ancient costume to a certain extent, and also put forward higher and stricter requirements for the writing of online novels with the theme of ancient costume.

　　Many details in the drama The Longest Day In Chang’an have caused a heated discussion among netizens. The drama focuses on depicting the prosperous scene of the Tang Dynasty, from the costumes and hair accessories, to the furnishings of daily life, and then to the scene setting of the times, all of which are exquisite and exquisite. In the play, Li Bi, played by Jackson Yee, has attracted everyone’s attention because of his lotus-crowned hair style with hair pins inserted from back to front. The audience carried out in-depth textual research and exploration around the production time and identity symbol of "Meridian Hairpin" and "Maoyou Hairpin". To some extent, this also increases the appreciation dimension of TV series.

　　In addition, the "bad teacher" played by Lei Jiayin in the play wears the "round neck robe" and "six-in-one boots", and carries the accessories such as "tie rope", "arm shovel" and "smoke pill" with him, which truly reproduces the mixed style and characteristics of Hu and Han in the Tang Dynasty. In the play, women’s clothing accessories such as "flowers", "bun", "skirt" and "half-chest skirt" mostly echo the characters in famous paintings and poems. "One scoop of food and one drink" has become an important method to spread traditional culture.

　　Do you know whether it should be green, fat, red and thin? nirvana in fire and other film and television dramas also reproduce Chinese traditional manners and customs exquisitely. When women meet each other every day, they ask each other "make-up safety" and perform "Wan Fu Li"; Men bow down and bow their hands; When the younger generation says hello to their elders, they will "cross their hands". These courtesies are numerous and varied, and they are also used in exquisite occasions. There are concrete explanations and graphic descriptions in works such as Shuo Wen Jie Zi, Tokyo Meng Hua Lu and Han Xizai’s Night Banquet.

　　There are also studies and unique displays of traditional ingredients and pharmacology of traditional Chinese medicine in film and television dramas. For example, in Ruyi’s Royal Love in the Palace, the delicacies such as chicken soup with purple ginseng and snow, lotus root with bi Nuo, milk cake and dark fragrant soup are often mentioned, which are unique in color matching. Even when chopsticks are dropped, the instant when the chopsticks touch the "chopsticks pillow" is particularly attractive. These designs convey the charm of Chinese traditional culture to the audience and bring visual enjoyment. At the same time, the "homophonic" and "metaphor" of dish names have also become an important driving force for the development of drama plots.

　　Another example is the interpretation of the efficacy of Rhizoma Smilacis Glabrae, Herba Scorzonepetae, Folium Perillae and Herba Hedyotidis Diffusae in "legend of miyue", which better integrates Chinese traditional culture and Chinese medicine, makes film and television dramas more pyrotechnic, and opens the pace for online literature to land in real life.

　　It can be seen that the details of traditional folk customs in film and television dramas can better stimulate the audience’s viewing enthusiasm and psychological expectations. The upsurge of "textual research fever" reflects, to some extent, the desire and pursuit of cultural values by film and television consumption, and therefore film and television dramas have become more diverse and multidimensional, becoming an effective way to convey traditional culture.

　　Let the creative concept always walk on the right path

　　Under the background of media integration, the network provides more possibilities for the spread of literature, and network literature also has a broader spread space. In the process of film and television adaptation, online novels with the theme of ancient costume have more new ways to inherit and popularize Chinese traditional culture.

　　The "little knowledge" pop-up window of "Do you know whether it should be green, fat, red and thin" broadcast on the video website timely and accurately explains the "knowledge points" in the series, and the design of real-time barrage, mini-theater and other links is novel and flexible, opening up a new position for the arrival of traditional culture to "new and new mankind".

　　Weibo’s hot topic search, friends circle forwarding, promotion of post bars and related cultural activities on the client side have, to some extent, become new ways to spread traditional culture in film and television dramas. At the same time, the film and television drama adapted from online novels has gradually opened up the linkage with games and animation, realizing industrial integration, providing reference and experience for the cross-industry communication of film and television drama, and also providing the possibility for the cross-industry communication of "national style and Chinese rhyme".

　　As some scholars have said, the correlation patterns between the literary value and market value of contemporary literary works are more and more diverse. The arrival of "internet plus" and the era of media integration has brought more possibilities for the spread of literature, art and culture, but it has also brought more tests and challenges. Writers of online novels need to uphold a firm cultural stand and cultural self-confidence, and spread and re-create Chinese traditional culture by removing the rough and the essence, discarding the dross and taking the essence. They should not introduce some pseudoscience, feudal ideas and metaphysical superstitions into their creation, which will lead to the loss of their creative ideas. From online novels to film and television dramas, it belongs to "re-creation" and "re-creation". The value guidance and cultural atmosphere should not be a process of weakening, but a process of continuous improvement and strengthening, so that the value guidance is more in line with social value norms and the cultural atmosphere is fuller and more authentic.

　　Under the background of media integration, the film and television works adapted from online novels are more diverse in strategies and ways to spread traditional culture. The interaction of industries such as network, literature, film and television, games and animation will make new explorations for the future development of online literature and network culture. In the face of such a new situation, we need to be full of longing, but also need to be vigilant at all times.

　　(Author: Ouyang Yifei, a lecturer at the School of Art and Design of Changzhou Institute of Technology, Dr. college of nanjing normal university, this article is a research project of philosophy and social sciences in Jiangsu universities "‘ Internet plus & rsquo; Film and television major in colleges and universities in the times ‘ Double span ’ Research on talent training mode "phased results)